As the world celebrated the transition into 2026, actor Lee Jong Suk made headlines not just for his screen presence, but for his profound commitment to philanthropy.
On December 30, 2025, his agency, Ace Factory (formerly A-Man Project), confirmed that the actor had donated 100 million KRW (approximately $77,000 USD) to the Asan Medical Center in Seoul.
This significant contribution is aimed at supporting cancer patients and vulnerable communities, continuing a streak of generosity that has become a hallmark of the actor’s year-end activities.
Supporting Advanced Care and Vulnerable Patients
The 100 million KRW donation was strategically split into two equal halves to maximize its impact:
- Hospital Development Fund (50 Million KRW): This portion of the donation is dedicated to the establishment of advanced treatment systems. The goal is to create a more efficient and technologically superior environment for cancer patients, ensuring they have access to the best possible care at one of South Korea’s premier medical institutions.
- Support for Underprivileged Patients (50 Million KRW): The remaining half is set aside to cover the medical and surgical expenses for patients from vulnerable backgrounds. This ensures that financial hardship does not become a barrier to life-saving treatments or surgeries.
A Three-Year Streak of Kindness
This latest donation marks the third consecutive year that Lee Jong Suk has chosen Asan Medical Center as a primary recipient of his charity. His history with the hospital reflects a deep-seated desire to help the most vulnerable members of society:
Lee Jong Suk (Credit: YouTube)
- 2023: He donated 100 million KRW specifically to the Asan Medical Center Children’s Hospital, focusing on pediatric care.
- 2024: He contributed another 100 million KRW, expanding the scope to include both children and general underprivileged patients.
- 2025: His most recent donation targets the critical area of cancer care while maintaining support for the low-income community.
By establishing this “streak of generosity,” Lee Jong Suk has solidified his reputation as a “Giving Angel” in the Korean entertainment industry.
A Legacy of Philanthropy
Lee Jong Suk’s charitable reach extends far beyond a single hospital. Over the years, he has been a consistent supporter of various causes, including:
- Youth Independence: Providing aid to young adults who are transitioning out of the foster care system and preparing for independent living.
- National Disaster Relief: In March 2025, he donated 100 million KRW to the Hope Bridge Korea Disaster Relief Association to assist residents affected by devastating wildfires in the Ulsan and Gyeongsang regions.
- International Aid: He has frequently partnered with NGOs to provide relief to international communities in crisis. Reports estimate that his cumulative donations have now surpassed 1.1 billion KRW, a testament to his long-term dedication to social responsibility.
Looking Ahead to 2026
While his charitable acts have warmed the hearts of many, fans are also eagerly anticipating his professional return.
Lee Jong Suk is currently concluding his 2025 Asia Fanmeeting Tour, “With: Just Like This,” spending the final days of the year directly with his global fanbase.
In 2026, he is set to star in the highly anticipated Disney+ original series, “The Remarried Empress” (also referred to as The Queen of Remarriage).
Global audiences are excited to see him tackle the role in this romance-fantasy adaptation, which is expected to be one of the biggest K-drama hits of the year.
The ongoing internal conflict within ADOR has reached a dramatic and high-stakes turning point.
On December 31, 2025, Danielle of NewJeans took immediate and decisive action by appointing a specialized legal representative and submitting a power of attorney to the court.
This rapid response follows a massive damages lawsuit filed by ADOR—the agency under HYBE—seeking approximately ₩43.1 billion KRW (roughly $30.0 million USD) in damages.
The legal battle signifies a complete breakdown in the relationship between Danielle and the agency, marking a historic and tense moment for the K-pop industry as it transitions into 2026.
The Foundation of the Lawsuit
The lawsuit filed by ADOR targets three primary parties: Danielle, her family, and the former CEO of ADOR, Min Hee Jin.
The core of the legal dispute lies in the events following a December 2025 court ruling that reaffirmed the validity of the exclusive contracts of all NewJeans members with ADOR.
Following that ruling:
- Contract Termination: ADOR officially announced the termination of Danielle’s exclusive contract, stating that it was “no longer possible” to continue working with her. This made Danielle the only member to be formally separated from the group’s roster at that time.
Danielle (Credit: YouTube)
- Return of Other Members: While the agency confirmed that Haerin, Hyein, and Hanni had returned to active status within the company, and discussions with Minji were reportedly ongoing, Danielle was singled out for termination and subsequent legal pursuit.
- Alleged Damages: The staggering ₩43.1 billion KRW claim is believed to represent the projected losses in revenue, brand value, and contractual penalties resulting from the internal turmoil and the breach of trust alleged by the agency.
Danielle’s Swift Counter-Offensive
Danielle’s decision to appoint legal counsel within 24 hours of the lawsuit’s announcement signals her readiness for a prolonged courtroom battle.
By submitting the power of attorney on the final day of 2025, she has effectively neutralized ADOR’s attempt to pressure her into a settlement before the new year.
Legal experts have noted that the case has been assigned to the 31st Civil Division of the Seoul Central District Court.
This is highly significant because the same division is already overseeing the civil dispute between Min Hee Jin and HYBE regarding ADOR shares and a put option agreement.
This suggests that the court views the lawsuit against Danielle as intrinsically linked to the broader power struggle for control of the agency.
Public and Industry Reaction
The news has sent shockwaves through the global fandom. On social media, fans have expressed a mixture of heartbreak and fierce support for Danielle.
A viral post showing “NewJeans without Danielle” (a modified image or lineup) rapidly gained attention, with many fans (Bunnies) stating that the group is not complete without all five members.
Furthermore, legal analysts cited by Koreaboo suggest that ADOR may face a difficult uphill battle.
Some experts estimate that the agency has a “less than 5% chance” of winning the full ₩43.1 billion KRW amount, as proving such extensive individual liability for a teenager in a corporate dispute is notoriously difficult under South Korean law.
There is also significant public scrutiny on HYBE and ADOR for pursuing a legal claim of this magnitude against a young artist.
What’s Next for Danielle and NewJeans?
As 2026 begins, the future of Danielle’s career remains uncertain but fiercely defended. Her legal team is expected to argue that the contract termination was handled unfairly and that the damages being sought are “exorbitant and punitive.”
Meanwhile, the status of the other members remains a point of intense interest:
- Hanni, Haerin, and Hyein: Currently active under ADOR management.
- Minji: In ongoing negotiations to determine her path forward.
- Danielle: Officially a “free agent” in terms of contract, but legally entangled in the multi-million dollar suit.
This case is poised to become a landmark in the K-pop industry, potentially redefining the rights of idols versus the power of major corporations.
As Danielle stands her ground with professional legal backing, the industry watches closely to see if this will end in a settlement or a verdict that changes the landscape of entertainment law forever.
For now, Danielle has made her message clear: she will not be silenced or intimidated by the weight of a $30 million lawsuit.
