Fans viewed his remarks as an intentional dismissal or “erasure” of BTS’s groundbreaking contributions to the worldwide music scene.
The controversy stems from an interview conducted by Billboard (or a similar publication) where Bruno Mars was promoting his highly successful collaboration with BLACKPINK’s Rosé, the song “APT.”
The Core of the Controversy
The specific quote that ignited the fan outrage centers on Bruno Mars’ assessment of K-pop’s global breakthroughs.
He stated, in essence, that Rosé’s success with “APT.” felt like the first major international K-pop phenomenon he had witnessed since PSY’s “Gangnam Style” back in 2012.
Bruno Mars and BTS (Credit: YouTube)
The quote is summarized by news outlets as:
“No one says it, but I feel like Rosé is the first time we’ve seen this. The last time we’ve seen something to this effect was ‘Gangnam Style.’”
Mars went on to praise Rosé, suggesting that she was an artist who introduced Korean culture and music to a global audience, including himself, in a unique and “magic” way.
Why Fans Are Upset
For the ARMY, comparing the timeline of K-pop’s global expansion by jumping straight from “Gangnam Style” in 2012 to “ APT .” in 2024 (or late 2023/early 2024, depending on the song’s release) felt like a complete dismissal of the 12 years of monumental global achievements spearheaded by BTS.
- Erasure of Impact: Fans argue that BTS was the primary group responsible for turning K-pop into a global force, achieving historic milestones that fundamentally changed the industry’s perception of Korean artists in the West. These achievements include:
- Multiple No. 1 hits on the Billboard Hot 100 (e.g., “Dynamite,” “Savage Love Remix,” “Life Goes On,” “Butter,” “Permission to Dance”).
- Multiple No. 1 albums on the Billboard 200.
- Sold-out stadium world tours across North America and Europe.
- Grammy nominations and performances on major US television programs.
- Paving the Way: The fan community feels that BTS’s work was the essential bridge that allowed later groups and soloists, including Rosé’s collaboration, to achieve success in the Western market.
By only mentioning “Gangnam Style” and Rosé, Mars is perceived as downplaying BTS’s role as the “paving stone.”
The Response
The backlash was swift and intense. “Bruno Mars” and “BTS” quickly trended on social media platforms.
- Fan Action: Angry fans criticized Mars for “discrediting BTS” and “erasing their influence.” Some called for a boycott of his music, urging others to block him on streaming platforms like Spotify and to stop supporting his future projects.
- Defense of Mars: Others, including neutral observers and fans of Rosé, defended Bruno Mars, arguing that he was simply speaking from his own personal experience and was praising Rosé’s current success and unique artistry, not attempting to provide a comprehensive historical lecture on K-pop. They pointed out that an artist collaborating with someone is naturally going to give high praise to their partner’s work.
Ultimately, the controversy highlights the intense passion within the K-pop fandom and the sensitivity around recognizing the artists who opened doors for the genre on the global stage.
SHINee member and acclaimed solo artist Onew has announced the grand finale of his successful solo world tour, ‘Onew The Live: Percent (%),’ with a two-day encore concert set to take place in Seoul next year.
This announcement marks the conclusion of a global journey that saw the artist perform across multiple continents.
Encore Concert Details
The final shows of the ‘Percent (%)’ tour will be held on:
- January 31, 2026
- February 1, 2026
The concert will take place at the Olympic Handball Gymnasium in Seoul, the very venue where the tour originally kicked off in August 2025.
Global Tour Finale
The Seoul encore concert will serve as the final stop after Onew completes the North American leg of his world tour. His January 2026 schedule includes five stops across North America:
- San Jose
- Los Angeles
- Chicago
- New York
- Atlanta
SHINee’s Onew (Credit: YouTube)
Prior to the North American shows and the final Seoul encore, the ‘Percent (%)’ tour had already taken Onew across a wide range of international cities, including Hong Kong, Bangkok, Tokyo, Kaohsiung, Mexico City, Paris, London, Madrid, and Berlin.
This extensive tour cemented Onew’s status as a formidable solo artist and provided an opportunity for his global fanbase to experience his unique vocal talents and live performance presence.
