A Chinese woman in her mid-30s who was arrested earlier this year for attempting to enter BTS member Jungkook’s residence in Seoul has been acquitted of trespassing charges, according to recent reports from South Korean media.
The incident occurred on June 11, 2025, coinciding with the day Jungkook was officially discharged from his mandatory military service.
Authorities revealed that the woman was spotted punching random numbers into the combination lock outside Jungkook’s apartment in Seoul.
Although her actions were alarming, prosecutors later decided to suspend her indictment, concluding that the act did not constitute a “complete attempt” at trespassing under South Korean law.
The prosecutors also took into account her low risk of reoffending, as she had already returned to her home country following the investigation.
Prosecutor’s Decision: Suspension of Indictment Explained
In South Korea, a suspended indictment means that prosecutors choose not to pursue charges despite evidence of wrongdoing—often because of mitigating factors such as remorse, low social harm, or the unlikelihood of repetition.
In this case, officials determined that the woman’s actions, while suspicious, did not involve a physical breach of property or intent to harm, and therefore fell short of a full trespassing offense.
The decision also considered that the accused had no prior criminal record and that her behavior appeared to stem from fan obsession rather than criminal intent.
BTS Jungkook (Credit: YouTube)
Another Trespassing Case: Korean Woman Under Trial
While the first woman’s case has concluded, another incident involving Jungkook’s residence came to light shortly afterward.
In late August 2025, a Korean woman in her 40s allegedly entered the parking lot of Jungkook’s apartment complex in Seoul’s Yongsan Ward around 11:20 PM.
The authorities were alerted immediately after receiving a trespassing complaint, and the woman was detained at the scene.
Her case has been forwarded to the prosecutor’s office on charges of criminal trespassing and violation of South Korea’s anti-stalking law.
This second case underscores the persistent safety concerns faced by K-pop idols, who frequently deal with extreme fan behavior, known as sasaeng activity—a long-standing issue within the industry.
Jungkook’s Previous Plea to Fans: “Please Don’t Come to My Home”
BTS’s Jungkook has spoken openly in the past about the emotional distress caused by obsessive fans invading his privacy.
During a previous livestream, the global superstar addressed the issue directly, saying:
“There are still sasaengs outside my home. Please don’t come here. Don’t cross the line.”
His candid plea highlighted the ongoing tension between celebrity admiration and personal boundaries.
Despite his warnings, incidents like these continue to raise ethical and legal questions about the limits of fan behavior and the protection of public figures in South Korea’s entertainment industry.
BTS Members’ Return from Military Service
The trespassing incidents coincided with BTS’s long-awaited military discharge period. Jungkook completed his 18-month mandatory service on June 11, 2025, alongside fellow member Jimin. Their return followed that of V and RM, who were discharged a day earlier.
Jungkook (Credit: YouTube)
As of now, all seven BTS members — RM, Jin, Suga, J-Hope, Jimin, V, and Jungkook — have completed their national duties and are gradually transitioning back into public life.
Fans worldwide have been eagerly awaiting news of the group’s reunion, and rumors about a potential 2026 BTS comeback or world tour have already sparked widespread excitement.
However, the recent incidents surrounding Jungkook’s home have also renewed discussions about idol safety and the need for stronger legal measures against stalking and harassment.
Sasaeng Culture and Its Impact on K-pop Idols
The term “sasaeng” refers to obsessive fans who invade celebrities’ private lives—through stalking, following, or even attempting to access their personal spaces.
Over the years, several BTS members and other K-pop idols have faced unwanted visits, illegal tracking, and online doxxing.
Such behavior not only causes psychological distress but can also pose serious safety risks. Entertainment agencies like HYBE (BTS’s management company) have repeatedly issued statements warning against such acts and have taken legal action in several instances.
Despite these efforts, incidents persist, often fueled by the global fame and accessibility of idols in the digital age.
Many experts and fans have called for stricter penalties for stalking and harassment, as well as public awareness campaigns to promote healthier fan culture.
BTS’s Current Status and Future Prospects
Following their military service, BTS members are expected to resume individual and group activities in the coming months.
Jungkook, in particular, remains one of the most prominent figures in global pop culture, celebrated for his solo hits such as “ Seven ,” “Standing Next to You,” and “3D.”
The group’s last album, Proof, was released in 2022, serving as a commemorative anthology of their decade-long journey.
With all members now back, fans anticipate a new era of BTS music and performances—one that balances personal growth with collective creativity.
For now, however, the focus remains on ensuring the safety and well-being of the members as they navigate renewed public attention and potential security risks.
A Reminder of Boundaries in the Age of Fame
The acquittal of the Chinese woman and the ongoing trial of the Korean woman serve as a sobering reminder of the dark side of celebrity culture.
While BTS’s global influence continues to grow, so does the need for respect, empathy, and boundaries between idols and their fans.
Jungkook’s plea for privacy echoes a universal truth—fandom should never cross into intrusion.
As South Korea’s entertainment industry continues to grapple with the sasaeng issue, it becomes increasingly clear that protecting artists’ personal lives is essential for the sustainability and health of the K-pop world.
With BTS set to make a full comeback soon, fans around the world hope that this new chapter will be marked not only by music and milestones but also by peace, safety, and mutual respect between idols and their admirers.
BLACKPINK’s Lisa, the Thai-born rapper, singer, and dancer, is reportedly preparing for a major solo endeavor, possibly a world tour in 2026.
Fans are buzzing with excitement after Lisa’s label, LLOUD , confirmed that she has signed with Wasserman Music as her worldwide touring representative.
This new partnership signals the artist’s intention to broaden her solo presence internationally, complementing her already significant influence as a member of BLACKPINK .
Lisa’s potential solo tour comes at a time when she is actively participating in BLACKPINK’s DEADLINE world tour, which has rekindled fan enthusiasm following the group’s year-long hiatus.
The tour provides an ideal platform for Lisa to showcase her individuality while remaining an integral part of the global K-pop sensation.
BLACKPINK’s Lisa (Credit: YouTube)
Global Representation and Career Growth
In addition to her new touring partnership with Wasserman Music, Lisa is represented internationally by RCA Records for music distribution and is also associated with WME (William Morris Endeavor), a premier talent agency representing global superstars like Billie Eilish, Adele, and Calvin Harris.
These strategic alliances position Lisa as a global music figure, giving her access to opportunities that extend far beyond the K-pop industry.
Her representation by both Western and Asian agencies demonstrates her growing appeal across markets and indicates that her upcoming projects—including a potential solo tour—will target international audiences.
By leveraging these agencies’ networks, Lisa is poised to expand her reach, strengthen her brand, and solidify her reputation as a multifaceted global entertainer.
Touring with BLACKPINK
While speculation about her solo world tour is strong, Lisa’s current focus remains on BLACKPINK.
The group reunited after a year-long break and embarked on the DEADLINE world tour, which began in July 2025 and will continue until January 2026.
Upcoming shows include stops in Bangkok, Thailand (October 24–26) and Jakarta, Indonesia.
BLACKPINK’s Lisa (Credit: YouTube)
During this period, BLACKPINK is also preparing for their comeback music video, expected to film this week.
The video will accompany a full-length album scheduled for release in December 2025, demonstrating the group’s ongoing relevance in global pop culture.
Lisa’s dedication to BLACKPINK highlights her ability to manage group and solo responsibilities simultaneously, indicating that she could leverage this momentum for an international solo tour in 2026.
Fans expect Lisa to perform her solo hits, including LALISA and ALTER EGO, alongside BLACKPINK’s tracks, providing a dynamic blend of group and individual performances during her future tour.
Expanding Into Acting
Lisa’s artistic ventures extend beyond music. She played a pivotal role in The White Lotus Season 3, portraying Mook, a hotelier in Thailand.
Her performance showcased her versatility and broadened her recognition in the global entertainment industry.
Additionally, Lisa appeared in the Netflix docu-reality series Hitmakers, collaborating with international artists such as John Legend, Shaboozey, and Usher.
She has also been cast in Extraction: Tigo, a Korean spinoff of the popular action franchise Extraction, alongside actors Ma Dong Seok and Lee Jin Wook.
Her acting projects reflect Lisa’s ambition to diversify her portfolio, connecting with audiences across different platforms and further establishing her as a well-rounded global entertainer.
Fan Excitement and International Appeal
The potential of a solo world tour has ignited global fan anticipation. Lisa’s stage presence, precision in dance, and vocal performances make her a compelling solo artist capable of delivering unforgettable live shows.
Fans are eager to witness a tour that highlights her unique artistry, featuring solo hits and special performances that complement her role in BLACKPINK.
Lisa’s growing visibility in both music and acting, combined with her new representation and global partnerships, positions her as a leading K-pop solo artist with international reach.
Her career trajectory reflects a strategic balance between group success and personal growth, allowing her to expand her brand globally while staying connected to BLACKPINK’s fanbase.
Lisa’s recent moves—signing with Wasserman Music, expanding her acting career, and actively participating in BLACKPINK’s tour—signal a promising solo career on the horizon.
The integration of music, performance, and acting demonstrates her versatility and strategic approach to international stardom.
Fans and industry experts alike anticipate that 2026 could be a pivotal year for Lisa, potentially marking the start of a solo world tour that showcases her individuality and global appeal.
With strong representation, consistent engagement with BLACKPINK, and a diversified entertainment portfolio, Lisa continues to solidify her position as one of K-pop’s most influential and internationally recognized artists.
