Stray Kids are once again rewriting the record books, this time transitioning their explosive stage presence to the silver screen.
According to recent reports, the group’s upcoming concert movie, titled Stray Kids :
The dominATE Experience, has achieved a staggering milestone by earning over $1.4 million USD in U.S. ticket pre-sales in less than 24 hours.
This extraordinary demand reflects the group’s massive global popularity and the unwavering support of their fandom, STAY, who have turned the film’s release into a major cinematic event.
The concert film is scheduled to officially hit theaters on February 6, 2026. It offers fans an immersive look at the group’s historic performance at SoFi Stadium in Los Angeles, one of the most significant stops of their world tour.
Beyond the high-octane performances, the movie promises exclusive behind-the-scenes footage, giving viewers an intimate look at the preparation and dedication required to execute a world-class stadium show.
Due to the overwhelming pre-sale numbers, theater chains have already begun expanding showtimes nationwide to accommodate the massive influx of fans, moving beyond the originally planned limited screenings.
Documenting the Record-Breaking “dominATE” World Tour
Directed by the renowned Paul Dugdale, The dominATE Experience is more than just a concert recording; it is a document of a historic cultural phenomenon.
The “dominATE” World Tour has been a record-breaking run for Stray Kids, particularly in North America.
The North American leg alone grossed approximately $76.2 million USD, officially becoming the highest-grossing and best-selling K-pop tour leg in the region’s history.
These figures underscore the group’s status as a primary leader of the fourth-generation K-pop movement.
The scope of the entire tour is even more impressive, reaching an estimated 2.15 million attendees worldwide and generating a total revenue of roughly $260 million USD.
This makes it the largest concert tour ever conducted by a K-pop group, surpassing previous industry benchmarks.
By capturing this specific era of their career on film, Stray Kids are ensuring that the energy and scale of the “dominATE” tour are preserved for fans who couldn’t attend in person, while also providing a commemorative experience for those who did.
Expanding Influence and Future Headlining Slots
The success of the concert film comes amidst a flurry of other high-profile activities for the group.
Stray Kids were recently announced as headliners for the prestigious Governors Ball music festival in New York, where they will share the stage with global icons like Lorde and A$AP Rocky.
This follows their historic headlining set at Lollapalooza in 2024, further solidifying their crossover appeal and their ability to command the main stage at some of the world’s most significant music festivals.
As the release date for Stray Kids: The dominATE Experience approaches, the momentum shows no signs of slowing down.
Additional screenings are being added on a rolling basis across various territories to meet the global demand.
For Stray Kids, this film is a testament to their growth from a self-producing boy group into a global stadium act.
For the industry, it serves as a powerful indicator of the growing commercial viability of K-pop concert films in the Western market.
With millions already banked before the first screening, the group is set to dominate the box office just as they have dominated the global music charts.
STAYs are encouraged to check the film’s official website for updated showtimes as the “dominATE” fever continues to spread.
Two Broke Girls served up sassy diner banter and cupcake hustle dreams from 2011 to 2017, turning Kat Dennings and Beth Behrs into broke-bestie icons. Max and Caroline slung burgers while chasing a business that always stayed one tip jar short.
Fans loved the rapid-fire zingers and wild schemes, but CBS yanked the plug after six seasons, leaving their food truck plot dangling mid-reveal. Behind the canned laughs, contract clashes, and viewer drift lay the real story of a sitcom that partied too hard for its own good.
The show exploded out of the gate, topping charts with 13 million viewers per episode in season one. Dirty jokes and Han’s height gags sparked buzz, good and bad. By season six, numbers hovered at seven million, solid but not smash territory.
Stars shone bright, with Dennings owning deadpan snark and Behrs nailing bubbly hustle. Still, execs eyed the exit as Warner Bros. cashed in big elsewhere.
Syndication Cash Sparked Ownership War
CBS licensed the series from Warner Bros. Television, paying top dollar to air it while footing most production costs later on.
Warner locked a sweet TBS deal at 1.7 million bucks per episode, a record for off-network reruns back in 2012. The network saw zero slice of those backend profits, fueling tense contract talks right before the axe fell in May 2017.
Two Broke Girls (Credit: Prime Video)
Execs pushed for better terms, but Warner held firm, flush with syndication gold. CBS scheduling boss Kelly Kahl framed it as a creative refresh, needing slots for three new sitcoms like Me, Myself & I.
Insiders pegged finances as the quiet killer: why bankroll a show when homegrown hits keep all the dough? This move fit a pattern, with networks snapping up in-house comedies to dodge profit leaks.
The clash echoed across the TV. Studios thrive on licensing flips, but broadcasters hate funding someone else’s jackpot. Two Broke Girls proved too juicy for Warner to concede much, so CBS walked. Fans missed the subtext amid laugh tracks, but balance sheets never lie.
Ratings Dip Meets Rude Joke Backlash
Viewership trended down from its peak, hitting multi-cam fatigue as edgier streaming laughs rose. Critics hammered repetitive stereotypes, especially Han Lee’s accent bits that drew racism gripes from Asian groups and comics alike.
Creator Whitney Cummings defended the bold edge, but network notes softened some punches over time.
Season six averaged a 1.3 rating in the 18-49 demo, down from double digits early. CBS thrived on live crowds, but cord-cutting eroded that base.
Still, it outperformed some survivors, making the cut feel personal. Controversies added heat: a 2012 Starbucks gag mocked barista pay, while sex jokes pushed FCC edges. Loyal watchers stuck around for chemistry, but advertisers eyed safer bets.
Cast felt the squeeze. Dennings vented online about loving the gig and wishing for proper closure. Behrs echoed the heartbreak, noting abrupt ends amid cupcake chaos. Crew bonds ran deep through 138 episodes, but business trumped bows.
Stars and Fans Cling to What-Ifs
Kat and Beth parlayed fame into films and shows, with Dennings starring on Hulu’s Dollface and Behrs voicing American Dad. Creator Michael Patrick King eyed a musical wrap-up that never gelled.
Fans flooded petitions for backdoor pilots, rewatching diner chaos on streaming. Socials buzz with top episode polls, from oyster tux bets to celebrity cameos.
CBS aired no finale, just credits rolling on dreams deferred. Compared to pals like Mike & Molly, which got similar syndication shade. The show’s Netflix perch keeps it alive for Gen Z, who dig unfiltered quips. Revivals whisper in the reboot era, but stars sound done.
Two Broke Girls nailed broke-life truth with glitter polish. Fire it up on Paramount+ or Max, and savor Max’s eye-rolls and Caroline’s pep. Its end spotlights TV’s money maze, where laughs pay bills until they don’t. Grab a cupcake and toast the girls who hustled hard, even off-screen. That diner glow never fully dims.
