Oday Rasheed’s film If You See Something places a spotlight on the uneasy reality many immigrants face when uprooting their lives. The story follows Ali, an Iraqi doctor adapting to life in New York City, grappling with civil unrest back home and the punitive challenges of the U.S. immigration system.
His relationship with girlfriend Katie, a gallerist, sits at the film’s emotional core but simultaneously introduces a secondary plot involving Katie’s overbearing and subtly racist father, Ward. This parallel narrative on white liberalism within Katie’s family, unfortunately, dilutes the urgency and resonance of Ali’s asylum tale.
The film excels at portraying the emotional tension between longing for a new life and being tethered by unresolved traumas from the past. Ali’s struggle symbolizes the broader immigrant experience, one marked by both hope and heartbreak.
However, the screenplay, co-penned by Jess Jacobs and the late Avram Ludwig, attempts to juggle two separate commentaries: the excruciating labyrinth of immigration bureaucracy and a critique of white liberalism embodied by Katie’s family dynamics.
These themes feel disconnected, as the film fails to convincingly weave them together, leaving each storyline underwhelmingly explored and the film’s central message lost in transit.
Beyond Borders: Immigration Hardships and Personal Costs
The depiction of the immigration system is raw and troubling, exposing the painful reality of refugees trying to rebuild their identities under systemic obstacles. For Ali, being an Iraqi doctor means nothing in America, where his qualifications are not recognized, sidelining him professionally.
His act of performing unauthorized eye surgery on a young girl signals both his desperation and ethical drive to help despite the risk. Such sequences pierce through the bureaucratic coldness experienced by immigrants, revealing the human cost of engaging with an unfamiliar system where every document and decision carries life-altering weight.
If You See Something (Credit: The Imaginarium Films)
Significantly, the film also presents the emotional heaviness of separation. A kidnapping crisis involving Ali’s childhood friend Dawod in Baghdad interrupts the fragile stability Ali is painstakingly constructing.
This heartbreakingly situates the diasporic experience as a balancing act between distant family ties and uncertain new beginnings. The film’s mood of persistent melancholy reflects the existential limbo faced by many displaced people, caught between paperwork and fear, hope and obligation.
While Rasheed’s direction commendably captures this somber mood, some critics note that the film falls short of evolving into a fully realized tragedy, stopping just short of a deeper reckoning with post-9/11 biases and refugee hardships in the U.S.
The film’s avoidance of a fully immersive tragedy means it lacks the emotional scope found in other immigrant narratives, which might leave viewers wanting a more forceful exploration of these critical issues.
White Liberalism as a Detour, Not a Dialogue
Katie’s narrative thread attempts to explore the limitations and contradictions within progressive white America, filtered through her uneasy relationship with her father, Ward. His subtle racism and protectiveness provide moments of tension but feel tangential rather than integral to Ali’s journey.
Critics broadly agree that this subplot serves more as a distraction than a complement, pulling the film’s focus away from the asylum story that holds the most dramatic potential.
This dilemma highlights a common pitfall in socially conscious dramas that juggle multifaceted issues: when the film tries to critique immigration policies and white liberalism simultaneously without fully committing to either, it risks weakening both critiques.
Instead of illuminating the intersections between systemic oppression and personal prejudice, If You See Something bifurcates its storylines, diminishing audience impact and clarity.
Despite these structural issues, the performances, particularly by Adam Bakri as Ali, offer moments of genuine emotional resonance. His portrayal conveys a man torn between survival instincts and moral principles, embodying the film’s enduring spirit amidst its narrative challenges.
Jess Jacobs also brings strength to her role, though her character’s arc suffers in comparison, reflecting the uneven narrative priorities.
Resources and Sociopolitical Context
The film’s release arrives during an especially tense period for immigration in the United States, where policies have grown stricter and the political environment more polarized. Its attempt to show the immigrant experience through a personal lens is timely, even if the execution stumbles at times.
Films like If You See Something contribute to ongoing dialogues about asylum seekers’ realities, highlighting systemic flaws and human stories often absent from mainstream media.
For viewers interested in immigrant narratives that balance personal and political stakes, other productions have shown stronger cohesion in storytelling and social commentary.
However, Rasheed’s film is still valuable for initiating conversations and raising awareness about the difficult choices faced by refugees and the people who love them. It reminds audiences that immigration is not just a policy debate but a human journey fraught with pain, hope, and contradictions.
If You See Something reveals the complexity of the immigrant condition but ultimately suffers from conflicting storylines that hamper its emotional and political potency.
While it shines in its sensitive portrayal of individual heartbreak and bureaucratic obstacles, the film is pulled off course by an insufficiently integrated examination of white liberal family dynamics. Its message about belonging, loss, and survival is sincere but gets lost somewhere between the borders it tries so hard to cross.
This prickly immigration drama, despite its flaws, underscores the urgent need for stories that speak honestly about displacement without losing their way along the journey.
Global girl group KATSEYE has achieved a historic milestone in the K-pop industry by receiving two nominations for the prestigious 68th Grammy Awards.
The nominations, announced on November 8, 2025 KST, recognize the rookie group’s immense impact and rapid rise in the global music scene.
Dual Nominations and K-pop History
KATSEYE was shortlisted in two major categories for the upcoming Grammy ceremony:
- Best New Artist (General Field Category)
- Best Pop Duo/Group Performance (for their single ‘Gabriela’)
The nomination for Best New Artist is particularly significant as it is one of the “Big Four” general field awards.
By securing this nod, KATSEYE becomes the first-ever K-pop group to be nominated in the Best New Artist category, marking a watershed moment for the genre’s recognition in the U.S. music industry.
Group Formation and Career Highlights
KATSEYE is composed of six members—Daniela Avanzini, Lara Raj, Manon Bannerman, Megan Skiendiel, Sophia Laforteza, and Yoonchae Jeung.
KATSEYE (Credit: X)
The group reflects diverse backgrounds, with members hailing from the United States, Switzerland, the Philippines, and South Korea, which they embrace as a core part of their identity as a global act.
Their path to success is outlined by several key milestones:
- Formation: The members were formed in 2023 through the reality competition show ‘The Debut: Dream Academy’.
- Agency Ties: The group has ties to major industry players, including HYBE and Geffen Records.
- Discography: Their momentum has been driven by their early EPs:
- 2024 EP ‘SIS (Soft Is Strong)’ (featuring the breakout single ‘Touch’)
- 2025 EP ‘BEAUTIFUL CHAOS’ (featuring the nominated track ‘Gabriela’ and ‘Gnarly’)
- Documentary: Their journey was also chronicled in the Netflix documentary ‘Pop Star Academy: KATSEYE’.
Global Recognition and Group Reaction
U.S. media outlets immediately highlighted the importance of KATSEYE’s achievement:
- ABC News pointed out the rarity of a girl group, especially a global one, being nominated in a major Grammy category.
- CNN hailed the nominations as proof of a “standout year,” tracing their success from their reality show origin to their strong chart showings.
Following the announcement, KATSEYE shared their gratitude and shock on Instagram:
“We can’t even believe this is real life!! two nominations?! Thank you to the @recordingacademy we are truly humbled, and congrats to all the nominees today, you inspire us! we wouldn’t be here without our EYEKONS – words can’t describe how grateful we are to you.”
