Global girl group KATSEYE has achieved a historic milestone in the K-pop industry by receiving two nominations for the prestigious 68th Grammy Awards.

The nominations, announced on November 8, 2025 KST, recognize the rookie group’s immense impact and rapid rise in the global music scene.

Dual Nominations and K-pop History

KATSEYE was shortlisted in two major categories for the upcoming Grammy ceremony:

  • Best New Artist (General Field Category)
  • Best Pop Duo/Group Performance (for their single ‘Gabriela’)

The nomination for Best New Artist is particularly significant as it is one of the “Big Four” general field awards.

By securing this nod, KATSEYE becomes the first-ever K-pop group to be nominated in the Best New Artist category, marking a watershed moment for the genre’s recognition in the U.S. music industry.

Group Formation and Career Highlights

KATSEYE is composed of six members—Daniela Avanzini, Lara Raj, Manon Bannerman, Megan Skiendiel, Sophia Laforteza, and Yoonchae Jeung.

KATSEYE Makes History with Two Grammy Nominations as a Rookie Group - 1

KATSEYE (Credit: X)

The group reflects diverse backgrounds, with members hailing from the United States, Switzerland, the Philippines, and South Korea, which they embrace as a core part of their identity as a global act.

Their path to success is outlined by several key milestones:

  • Formation: The members were formed in 2023 through the reality competition show ‘The Debut: Dream Academy’.
  • Agency Ties: The group has ties to major industry players, including HYBE and Geffen Records.
  • Discography: Their momentum has been driven by their early EPs:
  • 2024 EP ‘SIS (Soft Is Strong)’ (featuring the breakout single ‘Touch’)
  • 2025 EP ‘BEAUTIFUL CHAOS’ (featuring the nominated track ‘Gabriela’ and ‘Gnarly’)
  • Documentary: Their journey was also chronicled in the Netflix documentary ‘Pop Star Academy: KATSEYE’.

Global Recognition and Group Reaction

U.S. media outlets immediately highlighted the importance of KATSEYE’s achievement:

  • ABC News pointed out the rarity of a girl group, especially a global one, being nominated in a major Grammy category.
  • CNN hailed the nominations as proof of a “standout year,” tracing their success from their reality show origin to their strong chart showings.

Following the announcement, KATSEYE shared their gratitude and shock on Instagram:

“We can’t even believe this is real life!! two nominations?! Thank you to the @recordingacademy we are truly humbled, and congrats to all the nominees today, you inspire us! we wouldn’t be here without our EYEKONS – words can’t describe how grateful we are to you.”

Predator: Badlands plunges audiences back into the intense and brutal universe of the Yautja with nonstop action that drives its pace. Director Dan Trachtenberg pushes the franchise forward by making the Predator itself the protagonist, which is a bold narrative pivot.

The film trades the traditional human-versus-alien storyline for one showcasing the Predator’s own tribal conflicts and rites, adding texture to its alien culture.

This shift brings invigorating fight choreography and eye-catching special effects, lauded for their visceral energy and clarity. From the tense chases to the brutal combat scenes, the film delivers adrenaline-pumping sequences that rarely grant the audience a moment to breathe.

The mix of practical effects and CGI creates a visually striking spectacle, combining primal brutality with sleek high-tech weaponry. Critics note this as some of the franchise’s best physical action choreography to date.

Elle Fanning’s character, Thia, offers a critical dynamic that tempers the relentless violence with humor and humanity. Her interactions help ground the story, providing moments of levity and emotional connection amid the carnage.

However, the film’s heavy focus on spectacle overshadows opportunities for deeper character interactions and thematic exploration, making it feel more like a rollercoaster ride than a fully realized story.​

Tradition vs. Innovation: Where the Story Stumbles

While the film’s ambition to expand Predator lore through the Yautja’s social structure is commendable, it highlights the sequel’s biggest flaw: its lack of depth.

Predator: Badlands exposes internal clan rivalries and introduces a Predator family drama, but these elements are often underdeveloped. Key characters, such as the Predator father and brother, remain thinly sketched, lacking the nuance that might have elevated the narrative from mere action set pieces.

Audiences familiar with the previous Predator films may find the tonal shift jarring, as Badlands opts for a less terrifying, more approachable approach. The darker horror and tension that characterized early franchise entries are replaced with broader humor and a more straightforward story arc centered on loyalty and honor.

Predator Badlands - 2

Predator Badlands (Credit: 20th Century Studios)

This leaves some fans wanting a richer exploration of the species’ psyche and motivations, as the potential for a compelling saga feels only partially realized.

In addition, some dialogue and character dynamics, especially between Thia and the antagonist Tessa, feel rushed and could benefit from further development. The film occasionally struggles with pacing, with uneven editing and scene transitions that dilute its impact.

Cinematography varies from visually stunning moments to scenes that feel generic or uninspired, which affects the immersive quality of the experience. Despite these critiques, the movie’s construction and action-packed narrative still provide satisfying entertainment for many viewers, especially franchise enthusiasts.​

Future Horizons: Setting the Stage for Franchise Expansion

Dan Trachtenberg’s Predator: Badlands is clearly setting up for more stories within this nascent expanded universe. The finale hints at a continuing saga involving the Wolf clan and their defiance against a potent Yautja authority figure.

Fans can anticipate that the franchise will further explore these familial and societal conflicts in upcoming sequels, potentially deepening the Predator mythology beyond the hunter-versus-prey formula.

Trachtenberg has expressed interest in integrating broader elements from the Alien universe, such as the Weyland-Yutani corporation and synthetic beings, but with subtlety that maintains the Predator films’ standalone appeal.

This opens intriguing possibilities for crossovers and a more complex narrative web that could attract both sci-fi aficionados and action fans.

The director’s approach contrasts with the common trend of heavily interconnected cinematic universes by keeping each film accessible and coherent for new viewers while rewarding longtime fans with lore-rich Easter eggs.

As the franchise evolves, it may pursue crossover events or fresh character arcs that redefine the Predator’s role in science fiction cinema. The current installment’s mixed reception heightens anticipation about how future movies will balance thrilling action with meaningful storytelling and character depth.​