Lee Cronin grabs the reins on the next Mummy flick, dropping it April 17, 2026, and straight up labels it a mashup of Poltergeist warmth and Seven grit.
He grew up on Spielberg’s Amblin magic, pulling the homey family pull from that haunted suburb flick Spielberg penned. Then Fincher’s rainy investigative punch from Seven hits the curse angle hard, all buried secrets and puzzle twists.
Cronin spells it out in chats with IGN, owning his kid-of-the-80s Spielberg fandom while nodding to Fincher’s human grounding amid the sleuthing.
Think of dinner scenes in Seven that make Pitt and Paltrow real before the nightmare ramps up. He wants that mix: folks you root for getting yanked into ancient Egyptian horror. ScreenRant breaks down how this flips the script on past mummies, ditching adventure for straight chills.
His track record sells it. Evil Dead Rise crammed gore into an apartment hell, proving Cronin nails domestic dread. Now, Blumhouse and Atomic Monster back him, with James Wan and Jason Blum producing this Warner Bros. swing. Teasers flash mummified creeps and spider crawls, screaming gory standalone terror.
Family Home Turns Nightmare Crypt
Plot hooks a journalist dad whose girl vanishes in the desert and pops back eight years later, all wrong. Jack Reynor leads as the shattered parent, Laia Costa as maybe the mom, plus May Calamawy and Veronica Falcon rounding out the crew hit by the curse.
Cronin stresses authentic Egyptian voices, with Arabic dialogue and a local cast like May Elghety, owning key beats.
He banks on family ties as the anchor, Poltergeist style, where home invasion rips at bonds. Seven’s relational beats, like those home glimpses amid probes, amp the stakes here too.
Everyday folks chase dark lore, unearthing curses that shred normal life. Hypebeast calls the teaser eerie, centering on a kid’s return, sparking a living hell.
The Mummy (Credit: Blumhouse Productions)
SlashFilm spots Texas Chainsaw nods in the promo grit, fitting Cronin’s gross-out rep. Reddit Universal Monsters fans cheer the horror pivot, tired of action fluff post-Fraser and Cruise flops.
No ties to Brendan Fraser’s billion-dollar trilogy or that 2017 Dark Universe bomb at 15% Rotten Tomatoes. This stands alone, Cronin digging fresh Egyptian myths for dread.
Franchise Curse or Fresh Blood?
Past mummies swung big: 1930s Boris Karloff terror, Hammer chills, then Fraser’s fun romps, topping a billion bucks. Universal eyes Mummy 4 with Fraser back as Rick, but Cronin’s Warner take carves separate horror turf. Cruise’s 2017 misfire killed grand monster plans, opening doors for indies like this.
Cronin eyes sequel bait in endless curses and digs, ripples hitting new families or spots. Variety hypes the trailer as a grotesque fix for the franchise’s action rut. Inverse pegs it, settling the monster for real scares post-Evil Dead success.
Test buzz stirs drama, with World of Reel floating a retitle to The Resurrected after screenings. WatchMojo lumps it in with risky 2026 bets, but Cronin’s puzzle-box promise counters doubts.
Sportskeeda confirms no old continuity, just a pure reboot. X posts and YouTube breakdowns fuel hype, with fans craving that Spielberg-Fincher gut punch in mummy wraps.
Cronin stays true to his lane, blending masters’ tricks with gore-soaked family fallout. April drop tests if buried secrets revive the beast, right? The box office watches closely as horror crowds ditch capes for curses.
Industry trackers now place Zoe Saldaña as the highest-grossing actor of all time at the worldwide box office, edging past fellow MCU powerhouse Scarlett Johansson.
Data compiled by sites such as The Numbers and Box Office Mojo attributes roughly 15.5 to 16.8 billion dollars in cumulative global ticket sales to projects where she appears in a key role, narrowly surpassing Johansson’s roughly 15.4 billion haul.
This shift did not happen through one surprise smash, but through a stack of giant properties where she often plays the emotional anchor.
James Cameron’s Avatar films alone account for an estimated 6.6 billion in global revenue across Avatar, Avatar: The Way of Water, and the new sequel Avatar: Fire and Ash, with the original still ranked as the highest-grossing movie of all time and the 2022 follow-up holding a top-three spot.
Avatar: Fire and Ash, released in December, has already passed roughly 1.2 billion at the global box office and was nominated in the Cinematic and Box Office Achievement category at the 2026 Golden Globes, giving it a strong awards season spotlight.
Zoe’s MCU presence builds another mountain of revenue on top of Pandora. As Gamora, she appears in Guardians of the Galaxy, its sequels, and crossover titles, including Avengers: Infinity War and Avengers: Endgame, with reports suggesting that films featuring her Marvel character have pulled in more than 7.5 billion worldwide.
Add the rebooted Star Trek trilogy, which cleared more than 1 billion across three titles between 2009 and 2016, plus early roles in Pirates of the Caribbean: The Curse of the Black Pearl, and the pattern becomes clear: casting her has become a kind of built-in commercial insurance policy.
Franchise Machine or Underrated Trailblazer?
The new record has reignited debate about what “highest-grossing actor” really measures, since rankings depend heavily on franchise work and ensemble casts rather than solo star vehicles.
The Numbers and similar box office sites typically tally revenue from films where the actor is billed in a leading or major role, then stack those totals to generate all-time charts, which means performers tied to multi-film sagas can surge far beyond peers with more standalone projects.
Critics of the metric argue that it reflects the strength of brands such as Marvel and Avatar as much as individual star power, yet even that argument underlines how consistently top directors and studios choose her for high-stakes roles.
Zoe Saldaña (Credit: NBC)
At the same time, Zoe’s climb carries cultural weight that goes beyond spreadsheets. As a Latina actor who has spent much of her career at the center of blockbuster franchises, she represents a rare case of sustained global success for a woman of color in big-budget genre storytelling, especially in science fiction.
Commentators in outlets ranging from USA Today to international entertainment sites have emphasized how unusual it is that she appears in four of the seven highest-grossing films ever made, including the top three, an achievement no other performer shares.
Online reaction has mixed celebration and questions about visibility and recognition. Many fans point out that while her box office record is historic, she often receives less individual awards traction than male co-stars or directors linked to the same titles.
Industry coverage has also noted the irony that much of her most lucrative work involves performance capture or heavy prosthetics, from her blue Na’vi warrior Neytiri to the green-skinned assassin Gamora, which can obscure how central she is to the emotional core of these franchises.
What This Means For Marvel, Avatar, and Everyone Chasing Her
From a business perspective, Zoe’s position at the top of the all-time earnings list reinforces a trend studios already recognized: long-term, interconnected franchise ecosystems generate far more reliable returns than one-off blockbusters.
Disney and Marvel have seen nearly every Avengers film with her onboard clear the billion-dollar line or land close to it, while the Guardians trilogy helped keep interest alive for more character-driven cosmic stories within the MCU.
James Cameron’s commitment to a multi-film Avatar saga further cements her as a foundational figure in two of the most valuable cinematic brands on Earth, which explains why future sequels are already mapped out with her character in mind.
Reports note that she is expected to add even more to her cumulative total with upcoming installments, including further Avatar chapters and another Avengers event film, tentatively referred to in coverage as Avengers: Doomsday on current studio schedules.
Trade outlets such as Variety and E! Online suggest that, given the trajectory of Fire and Ash plus planned franchise entries, her lead over Scarlett Johansson and other box office heavyweights like Robert Downey Jr, Tom Cruise, and Dwayne Johnson could widen throughout the next few years.
For Marvel, the record adds extra narrative pressure and opportunity. Even after Gamora’s emotional arc in Avengers: Endgame and Guardians of the Galaxy Vol. 3, speculation continues about how or whether the studio might bring her back in future multiverse storylines, especially now that her involvement can be framed as a proven billion-dollar catalyst.
For Cameron and the Avatar team, the milestone helps market the next films as chapters in a saga led not only by cutting-edge effects but also by an actor whose presence has become synonymous with box office reliability.
Zoe herself has acknowledged the milestone publicly, sharing a message of gratitude that credited directors and collaborators rather than treating the ranking as a solo victory, a tone widely reported across outlets that covered her new status.
Yet behind that modest framing sits a stark statistical truth: no other performer currently active has combined so many mega franchises, over such a long stretch, with such consistent returns.
Whether audiences meet her next as Neytiri, Gamora, or another genre-defining lead, one fact now shapes every headline about her career, including the latest: Zoe Saldaña is the actor everyone else is chasing at the global box office.
