The plot of Night Has Come takes an unexpected turn when Ko Kyung-Jun, a simple civilian, is brutally murdered by Duo-Fan without any chance to defend himself. The narrative becomes even more complicated when characters suspect the involvement of others, as Duo-Fan and Kim Zhao-Wei frequently use the word “we” in conversations, leaving the true number of killers unclear. Yoon-Seo discovers a new photo in a cabinet that differs from the previous one; this photo includes all the classmates, not just a single unfamiliar girl.
Suddenly, everyone experiences a flash of light, triggering the collective memory of a student named Park Se-Eun. This is a moment as it reveals the possibility of erasing and restoring memories. After regaining their memories, the group begins to question who could have organized this twisted game. As the discussions unfold, suspicion falls on the killers, particularly regarding who may have been responsible for Park Se-Eun’s suicide. Ro-Hi, feeling guilty, approaches Kim Zhao-Wei, but he refuses to reveal the truth out of fear of being branded a killer.
Kim Zhao-Wei then manipulates a female student, convincing her to vote for Ro-Hi instead of Duo-Fan, changing the course of the game. The complex web of accusations and alliances deepens. Meanwhile, Jun-Hee finds Kyung-Jun’s phone in the warehouse, casting further doubt on Duo-Fan. Duo-Fan, however, deflects suspicion, blaming two others. Amidst the mounting tension, Kim Zhao-Wei accuses Ro-Hi of causing Park Se-Eun’s death, and in response, Ro-Hi reveals her true identity as an undercover police officer. She exposes Kim Zhao-Wei’s role as one of the killers using the phone.
Lee Hae-seo’s (Image via Getty)
Night Has Come Ending Explained
The intense conflict suggests that this deadly game is part of a large hypnotic event orchestrated by the police to uncover the truth behind Park Se-Eun’s death. The stakes grow higher as the main culprit begins to emerge from the web of intrigue. The supernatural aspects of the game, which seem to revolve around hypnotism and dreams, are crucial in resolving this life-or-death scenario.
In Night Has Come Episode 10, Ro-Hi, the undercover police officer, is found dead despite her best efforts to hide in the ceiling. This event raises more questions, especially about the killers’ strategies. Were they searching for victims throughout the night, or did they have an uncanny ability to anticipate the characters’ movements? The story hints that there may still be another hidden killer—Jung-Yeon, a character whose quiet demeanor makes her an unlikely suspect but a potential danger nonetheless.
Jung-Yeon uncovers a bloodstain above her, leading to suspicions about whether the blood is self-inflicted, perhaps to mislead others. As the plot advances, more characters begin to suspect each other. The game, already perilous, becomes even more complicated, as Duo-Fan, tricked by Yoon-Seo’s plan, goes to check the restaurant footage, and the chubby student is found injured. Who will the remaining civilians choose to vote for in the next round?
The Complexity of the Game: Episode 11
The game grows increasingly challenging, with multiple killers and only one police officer and one doctor left, both of whom are easy targets. The killers, bound by a system that prevents them from revealing each other’s identities, face their own challenges. Kim Zhao-Wei comes close to exposing the truth but is silenced by the system before he can act. Before his death, Zhao-Wei makes a discovery—the statue represents Park Se-Eun, the student who committed suicide. In a heartbreaking moment, Zhao-Wei takes his own life in front of the statue.
Episode 11 sheds light on crucial rules of the game, such as the fact that killers can eliminate more than one person in a day. This revelation helps explain why the game has dragged on for so long. Jung-Yeon is shown as the final undisclosed killer, and her role becomes clear. Without her involvement, Yoon-Seo and the others would have likely been eliminated much sooner, as Zhao-Wei could have killed everyone in a single day. Jung-Yeon’s role has been pivotal to the survival of the remaining contestants.
Kim Jun Hee (Image via Getty)
Unexpected Alliances and Strategic Moves
The chubby student turns out to be just a civilian, and his injury was part of a setup. Jung-Yeon’s strategic vote against him allows Duo-Fan to survive. Jung-Yeon could have sacrificed him to further her own agenda, but instead, she decides to play a more complex role, delaying her own killings and deciding whether to sacrifice herself or claim the title of the ultimate killer.
Meanwhile, Jun-Hee is unable to bring himself to kill his classmate Duo-Fan. He pleads for Duo-Fan to take his life to spare the others. Yoon-Seo begins to suspect that Jung-Yeon is the true killer and implores her to end the suffering. After everyone falls asleep, Duo-Fan proposes a mass elimination of all survivors. However, Jung-Yeon persuades him to target others while she focuses on Yoon-Seo and Jun-Hee. Duo-Fan delights in his murder spree, but Jung-Yeon unexpectedly spares the two.
Final Betrayals and the Revelation
As the story reaches its climax, Duo-Fan and Jung-Yeon discover that Yoon-Seo’s phone is still active, indicating she is still alive. They check the freezer, only to realize Jung-Yeon’s plan. Duo-Fan, now aware of the scheme, decides to eliminate her as well. However, this move appears to violate the rules of the game, leading to his own self-elimination by the system. In the end, the trio of main characters—Yoon-Seo, Jun-Hee, and Jung-Yeon—are left to face the consequences of their actions.
Episode 12: The Final Twist
The ending of Night Has Come takes a surreal turn. It turns out that the game was not a result of hypnosis, but rather a brain-machine game created by Park Se-Eun’s parents. These parents, driven by grief over their daughter’s bullying and suicide, trapped all the students in this twisted game through unknown methods. They created the character of Jung-Yeon to ensure she always emerged victorious. The game, it seems, has been running for multiple rounds, with Jung-Yeon previously sacrificing herself to help Yoon-Seo, leading to her side’s defeat.
Koh Gyeong-jun (Image via Getty)
Jung-Yeon’s role as a civilian is revealed, with her team winning if she survives. It’s suggested that in previous games, Yoon-Seo may have died early, allowing Jung-Yeon to gain awareness of the game and her role in it. After revealing the truth, Duo-Fan’s fate becomes irrelevant. His escape from the freezer no longer matters, as he is trapped in the cycle of the game. What initially seemed like a quest to uncover Park Se-Eun’s tormentor turns out to be a much broader and more complex scheme, with Se-Eun’s parents indiscriminately targeting all the students.
The Unforeseen Consequences of Revenge
In a poignant moment, Se-Eun’s father expresses a desire to end the game, but his wife firmly disagrees. The game continues, but Yoon-Seo’s memory remains intact, which adds a layer of tragic irony. She is the only one who starts the game with full knowledge of the truth, and her suffering is far deeper than that of the other participants. This raises the unsettling question: did Se-Eun’s parents target the wrong individuals in their quest for revenge?
The finale shows Yoon-Seo waking up in the car, smiling at Jun-Hee, only to see Jung-Yeon sitting expressionless in the back row. This final moment hints at Yoon-Seo’s inevitable doom in this round. The setting mimics modern technological advances, suggesting that what the characters have experienced may be a representation of a greater, more profound truth about the nature of their reality.
Comparison with “Singularity”
The plot of Night Has Come shares thematic similarities with the novel Singularity , where the protagonist explores a world full of mysteries and challenges the understanding of reality. In Singularity , Noah’s Ark is not just a legendary tale but a metaphor for our contemporary lives, posing the question: if the Ark cannot be found, do we truly understand the reality we inhabit? Similarly, in Night Has Come , the characters’ world seems to be controlled by an unseen force, trapping them in a virtual reality governed by the game’s creators. Both narratives invite reflection on the mysteries of existence and the boundaries between reality and illusion.
Depression is an emotion with no concrete definition, and this complexity is thoroughly explored in The Yellow Wallpaper . The film, an adaptation of Charlotte Perkins’ 1982 short story, delves into the depths of postpartum depression and the oppressive forces of patriarchy that define the character’s experiences. The slow pace of the movie may be a point of contention, but it also acts as a reflection of the overwhelming struggle Jane faces throughout the narrative. The film’s slower moments reflect the weight of its subject matter, making the narrative feel longer than its actual run-time.
The Yellow Wallpaper Ending Explained: A Struggle Against Isolation
The plot revolves around Jane (played by Alexandra Loreth), who is taken to a remote countryside mansion by her husband, John (Joe Mullins), a doctor. After the birth of their child, John believes that this change of environment will help Jane recover from her postpartum depression. However, his approach seems more about control and oppression rather than healing. Jane is confined to a bedroom that was once a nursery, and her husband insists that complete bed rest is the best way for her to recover.
Jane (Image via Getty)
John’s idea of care includes forbidding Jane from engaging in activities that once brought her comfort, including writing, which he claims would exacerbate her condition. He focuses on her ability to mother rather than her intellectual and personal pursuits, dismissing her own desires and creativity. Jane, unable to express herself, begins to secretly write and look into her imagination, which soon becomes consumed by the room’s yellow wallpaper. The wallpaper begins to haunt Jane, with her imagination twisting its patterns into a vision of a woman trapped behind it. This perceived woman in the wallpaper mirrors Jane’s own growing feelings of entrapment and isolation.
The Love That Suffocates: Patriarchal Control and Overbearing Care
Set in an era where patriarchy dominated society, The Yellow Wallpaper portrays depression as the central theme, but it also critiques the oppressive forces of patriarchal norms. John, in his role as Jane’s husband and doctor, tries to pass off his controlling behavior as loving care. However, his actions reveal a deeper, more suffocating form of “love,” one that stifles Jane’s growth and freedom. Jane’s inner turmoil intensifies as John’s affection feels more like a cage, limiting her autonomy and identity.
In a dream sequence, Jane envisions John suffocating her, pushing her into the ground until she drowns. This dream reveals the suffocating nature of John’s love, which seeks to suppress Jane’s voice and desires. As Jane becomes more isolated in the room, the idea of being trapped is made more apparent in the way she perceives the wallpaper. Her paranoia builds, and she begins to mock John, especially when she locks herself in the room, defying his authority. Her rebellion is a small yet significant act of reclaiming power over her life.
Symbolism in ‘The Yellow Wallpaper’
The yellow wallpaper itself becomes a symbol of Jane’s mental and physical imprisonment. Though the design suggests a natural wilderness, it is, in fact, an artificial creation—much like Jane’s situation. The wallpaper’s vines become a representation of the cage that Jane finds herself in. She desperately tries to tear it off the wall, symbolizing her efforts to escape her mental and physical confinements. Similarly, the metal gate outside, which she is unable to open, mirrors her sense of entrapment. Both the wallpaper and the gate embody the false façade of freedom, with Jane longing to escape her confined existence.
This sense of entrapment is further emphasized when Jane’s postpartum depression leads her to direct her anger toward her baby. Her mental state deteriorates, and she begins to act out violently. In one scene, she throws her baby out of a carriage and later tries to bury him in the garden. Another disturbing moment shows Jane killing imaginary babies with her feet, a horrifying expression of the rage and confusion she feels towards her motherhood, which she believes has robbed her of her creativity and freedom.
Jane (Image via Getty)
The Ending of ‘The Yellow Wallpaper’: Is Jane Dead or Alive?
The ending of The Yellow Wallpaper holds a chilling significance, with Jane’s fate left uncertain yet symbolically clear. It can be said that Jane is, in a sense, dead—however, in her death, she finds a form of freedom she had long been denied in life. In the final moments of the film, Jane acknowledges the woman trapped behind the wallpaper, a reflection of her own entrapment. As she watches the woman creep in daylight, Jane recognizes that the figure is herself, a manifestation of her inner turmoil. This realization marks her mental break and the point where she finds a way to vent her emotional distress.
Despite this realization, Jane’s internal struggle is far from over. She attempts to remove the wallpaper, which has become entwined with the vines outside, a symbolic act of reclaiming control over her environment. However, it is too late. In her final act, Jane hangs herself, in a desperate attempt to escape the cage that has held her for so long. As John attempts to open the locked door and enters the room, we see the metal gate that Jane could not open earlier now unlocked, symbolizing Jane’s final escape.
Yet, the ending is ambiguous. Jane’s body is shown hanging from the ceiling, but in the background, a figure creeps along the wall, mirroring Jane’s earlier actions. This suggests that, even in death, Jane may not have truly escaped her torment. The final image of her “creeping” behind her own lifeless form implies that she is still trapped, even in her death. Her soul might be freed from her physical cage, but her mental and emotional torment may continue. The film leaves us with this unsettling image of Jane, forever creeping, searching for freedom that remains elusive.
Jane (Image via Getty)
A Psychological Horror About Freedom and Oppression
The Yellow Wallpaper is a psychological horror film that uses the story of Jane’s descent into madness to explore broader themes of depression, isolation, and the oppression of women. Directed by Kevin Pontuti, the film presents a chilling portrayal of a woman struggling to maintain her sense of self while being controlled by the societal norms of her time. The slow pace, while unsettling to some, mirrors the suffocating nature of Jane’s mental and emotional state, creating a disorienting and haunting atmosphere.
Ultimately, Jane’s story is one of tragic self-realization. She may have found a way to express her pain through the image of the woman in the wallpaper, but this act of self-expression is not enough to free her from the emotional shackles imposed upon her. The ambiguous ending, with Jane’s death and subsequent “creeping,” leaves viewers to question whether true freedom is ever attainable, or if the struggle for independence is a never-ending cycle.
