Robert Pattinson slipped into A24’s Marty Supreme unnoticed, voicing the British umpire and commentator during a tense British Open semifinal. Director Josh Safdie dropped the surprise at London’s BFI Southbank, calling it a quick favor from his Good Time days since no fitting Brits were around.
That scene lands early in the film, right as Timothée Chalamet’s Marty Mauser faces off against Hungarian champ Bela Kletzki in the gritty underbelly of 1950s New York table tennis circuits.
Fans packed social feeds with rewatches, zooming on audio cues amid paddle smacks and roaring crowds, turning a straight sports drama into a full-on cinephile scavenger hunt.
This marks the duo’s first collaboration since 2019’s The King, where they shared screen space in medieval intrigue, and it beats their much bigger showdown in Denis Villeneuve’s Dune: Part Three, slated for December.
Safdie’s first solo directorial effort, co-written with Ronald Bronstein, pulls from the real life of ping-pong legend Marty Reisman, capturing his obsessive climb through smoky halls and high-stakes matches.
Chalamet didn’t just star; he produced, pouring energy into a role that’s already snagged him Golden Globe and Critics Choice nods for Best Actor in a Musical or Comedy.
Pattinson’s involvement stays pure offscreen magic, channeling the frantic pulse from Good Time that erased his Twilight baggage for good. Safdie noted Pattinson swung by the set casually and nailed the lines in one go, no drama attached.
It’s the kind of indie flex that keeps A24 buzzing, especially with Marty’s eclectic supporting cast, like Gwyneth Paltrow as a sharp agent, Odessa A’zion as a love interest, and even Tyler, the Creator stepping into acting alongside Fran Drescher’s no-nonsense mom.
Early buzz from test screenings hinted at this gem, but the BFI reveal lit the fuse, with TikTok edits layering Pattinson’s voice over Dune trailers for viral mashups.
Ping-Pong Epic Crushes A24 Benchmarks
Marty Supreme hit theaters Christmas 2025 and obliterated A24’s opening weekend record with $28.3 million domestic over five days, soaring past Civil War’s $25.5 million launch.
Fast-forward to now, and it’s closing in on $80 million worldwide from a bold $65 million budget, rewriting what skeptics thought possible for the boutique label’s biggest swing yet.
Domestic alone clocks $68 million, legs strong enough to challenge Everything Everywhere All at Once’s $71 million throne as A24’s top grosser. Tuesday’s hold barely dipped, doubling drops from flops like the Anaconda reboot, thanks to word-of-mouth in 2,887 screens.
Chalamet’s Marty dominates every frame, racket gripped tight as he hustles from Bronx basements to Vegas showrooms, embodying Reisman’s cocky genius. Promo stunts nailed it: Chalamet perched atop the Vegas Sphere hyping matches, recreating Marty’s trash-talk flair that hooked Gen Z gamers.
Marty Supreme (Credit: Central Pictures)
R-rated dialogue and sweat-soaked rallies keep adults hooked, while awards chatter from SAG and BAFTA nods cements prestige pull. Producers eyed this breakout after Chalamet’s Bob Dylan turn in A Complete Unknown, but Marty amps the physicality with months of training montages.
A24’s gamble pays dividends; scaling to tentpole budgets without losing edge proves viable. Analysts forecast $80-100 million stateside, multipliers rivaling Barbie’s cultural quake.
Safdie’s lens captures table tennis as brutal ballet, spins and smashes mirroring life’s gambles, landing universal acclaim at 94% on Rotten Tomatoes. Business-wise, merch like branded paddles sells out, and streaming rights bids pour in post-theatrical.
Dune 3 Looms With Villain Faceoff
Pattinson steps up as shape-shifting Tleilaxu master Scytale against Chalamet’s Paul Atreides in Dune: Part Three, the trilogy closer dropping December 2026.
Their Marty Supreme whispers serve as a sly appetizer, teasing rapport before Arrakis explodes in Fremen rebellions and imperial intrigue. Pattinson shared laughs about Dune 2’s sand-blasted shoots, leaving him fried, and prepping for this villain arc with more menace.
Villeneuve wraps Herbert’s saga with Paul’s jihad spiraling, Bene Gesserit schemes clashing with Tleilaxu plots. Pattinson’s Scytale twists faces and loyalties, a direct foil to Chalamet’s haunted emperor.
The cast boasts Zendaya’s Chani fracturing from Paul, Javier Bardem’s Stilgar radicalized, and Anya Taylor-Joy’s Alia unleashing visions. Principal production wrapped amid strikes, with VFX houses churning out epic worm rides and shield duels.
Marty’s momentum juices Dune hype; $80 million validates crossovers from indie to blockbuster. Chalamet chases more hardware, Pattinson balances with Batman sequel whispers, and The Drama rom-com with Zendaya is in April.
Their paths cross again soon, and voices nod to screen rivals, proving Hollywood’s small circles breed big sparks. Post-credits teases in Marty fuel theories linking ping-pong grit to desert survival.
The box office crystal ball sees Dune 3 eclipsing its predecessors at $800 million plus, with Pattinson and Chalamet drawing diverse crowds.
Glimpses from set leaks show Pattinson’s prosthetics for Scytale’s forms, and Chalamet bulked up for warrior Paul. Villeneuve stresses the emotional core amid the spectacle, with Paul’s choices echoing Marty’s obsessions.
A24’s win sets a template: hidden gems launch stars into franchises. Reunion magic lingers, quiet voices paving explosive futures.
The Hotel Transylvania series kicked off in 2012 with a simple pitch: vampires running a hotel for misfit creatures. Adam Sandler lent his voice to Count Dracula, turning the overprotective dad into a box office magnet.
That first film pulled in $377 million worldwide on an $85 million budget, proving family animation could blend scares and laughs profitably.
Sony Pictures quickly chased sequels. Hotel Transylvania 2 arrived in 2015, boosting earnings to $475 million globally. The third entry, Summer Vacation in 2018, topped the bunch at $527 million, cementing the franchise as one of the studio’s top animated earners.
By the time Transformania hit Prime Video in 2022, the four films had amassed over $1.3 billion in total grosses, with domestic hauls alone nearing $500 million.
Numbers like these explain the pull. Each movie averaged returns far exceeding budgets, drawing crowds with slapstick gags and heartfelt moments. Critics often split on the humor, but parents and kids kept seats filled.
Sandler’s Happy Madison production banner benefited hugely, fueling his shift toward Netflix deals while Sony milked the IP across shorts and a spinoff series. Box office trackers note the series ranks among Sony’s biggest animated successes, outpacing many live-action comedies.
Finale That Wasn’t: 2022’s Big Pivot
The promotion stressed closure for the monster clan: Johnny’s monster mishap and humanized creatures scrambling for a fix. Viewers tuned in, but whispers of more bubbled up fast.
Hotel Transylvania (Credit: Sony Liv)
Director Genndy Tartakovsky, behind the first three, hinted at Sony’s interest in extending the run over a year before official word. He sensed studio eagerness despite the “final” tag, predicting greenlights based on past hits.
Fast-forward to January 2026 at the Golden Globes. Keegan-Michael Key, Murray the Mummy since film two, spilled during a Variety chat. He mentioned heading to the booth for Hotel Transylvania 5 as casually as confirming weekend plans.
No Adam Sandler nod yet, but the franchise momentum overrides past exits. Key’s role, which evolved from CeeLo Green’s debut, anchors the comic relief fans crave.
Voice Booth Buzz and What’s Brewing
Key’s slip lit up social feeds overnight. As the mummy with gravelly quips, he thrives on character vibes drawn from concept art, tweaking pitch and texture for each session.
His Golden Globes aside, chatting about animation history revealed that recording kicks off soon. Production details stay thin: plot, director, and release window are all under wraps.
Speculation runs hot on format. Theaters seem likely given profit history; Transformania’s stream felt forced by COVID. Sony eyes a return to multiplexes, where earlier films dominated summers.
Tartakovsky’s involvement remains unclear, but his vision shaped the core magic. Sandler might cameo or produce, leveraging his stake without full commitment.
Fan reactions mix thrill and fatigue. Social clips show kids reenacting Dracula dances and parents nostalgic for date nights. Some worry sequel bloat dilutes charm, yet box office math wins out.
A Netflix prequel series, Motel Transylvania, arrives this year, stirring excitement. Key’s confirmation shows Sony is betting big on the timeless charm of monsters handling family chaos.
Dracula’s hotel stays are booked. Transformania wrapped arcs neatly, but money talks louder than goodbyes. Key’s update proves the undead endure, promising fresh romps for a new generation. Watch awards chatter for plot teases; production heat builds fast.
