Predator: Badlands is having the kind of post-theatrical run studios dream about, turning a solid box office outing into full-blown digital dominance before it ever hits a subscription platform.
Premiering in cinemas in November 2025, the film pulled in around 184 million dollars globally on a reported 105 million budget, making it the highest-grossing entry in the Predator franchise to date. That respectable theatrical performance laid the groundwork for what is now a full-on premium video-on-demand sweep.
The film hit digital storefronts like Prime Video, Apple TV, Vudu, and other marketplaces on January 6, 2026, at a premium price point, typically 29.99 dollars to buy and a few dollars less to rent.
Part of that success stems from how watchable this installment is for both longtime fans and curious newcomers. Set in a future on a remote planet, the story centers on Dek, an exiled young Yautja trying to prove himself by hunting a seemingly impossible target, paired with human ally Thia, played by Elle Fanning.
The coming-of-age angle and the odd-couple dynamic between hunter and human give the film a character hook that sits on top of the franchise’s usual creature-feature thrills.
Reception data suggests the creative risk paid off. On Rotten Tomatoes, Badlands currently holds a Certified Fresh 86 percent from critics and a roughly 95 percent audience score, with commentators noting it as the best-received Predator movie in years.
That level of enthusiasm mirrors the strong word of mouth around director Dan Trachtenberg’s earlier franchise work, including Prey and Predator: Killer of Killers, which also turned into streaming favorites once they hit Hulu.
From a business perspective, this PVOD wave matters. Premium rentals and digital purchases bring in higher per-viewer revenue than a flat subscription watch, so every day Badlands sits atop those charts adds meaningful incremental income on top of theatrical earnings.
For a mid-budget sci-fi action film, that two-step success story of theatrical plus premium digital creates a compelling model for how studios can stretch genre franchises without relying solely on billion-dollar box office numbers.
The one thing Predator: Badlands does not have yet is a confirmed streaming date for Disney+ or Hulu, even though most fans assume that is where it will end up.
The film comes from 20th Century Studios, which falls under Disney’s umbrella, and earlier Predator titles already sit on Disney-controlled platforms in many regions, so the destination is almost a given. What remains unclear is the exact timing, and that uncertainty is now becoming part of the story.
Industry coverage from outlets such as Decider, Forbes, and Space.com all point in the same general direction: an expected subscription streaming window somewhere around February to April 2026, roughly three to five months after the November theatrical launch and shortly after the physical 4K and Blu-ray release scheduled for mid- to late February.

Predator: Badlands (Credit: Netflix)
That timeline tracks with recent Disney patterns, where titles move from theaters to PVOD and then later to subscription streaming once home sales have had room to breathe.
For fans, especially those used to earlier straight-to-streaming Predator chapters like Prey, that staggered rollout can feel like a slowdown.
Reddit threads and comment sections are already full of viewers asking when Badlands will finally land on Disney+, with some users speculating that the studio is intentionally stretching the window to maximize PVOD revenue while the movie dominates charts.
Considering its current digital performance, delaying a subscription drop makes financial sense. Every extra week at a 25 to 30 dollar price point means more high-margin transactions.
There is also a platform strategy wrinkle. Hulu is being folded into the Disney+ app during 2026 in several markets, and analysts expect Badlands to play a role in showcasing that combined library of more adult genre fare.
Rather than rushing the film to streaming, Disney has the option to time its debut to support that integration, turning a single sci-fi franchise entry into a marketing asset for a broader streaming overhaul.
What Badlands’ Run Signals For The Predator Franchise’s Future
Beyond the week-to-week charts, Predator: Badlands is already reshaping expectations for the franchise itself. After mixed responses to earlier sequels, the series regained critical and fan credibility with Prey, which became a major hit on Hulu and helped reframe Predator stories as vehicles for focused, character-driven survival tales.
Badlands pushes that reinvention further with its young outcast protagonist, future setting, and more emotional arc, while still delivering the signature hunt structure that defines the brand.
That combination is a big reason why commentators highlight Badlands as the highest-grossing and arguably most widely embraced film in the series so far.
When a franchise that started as a macho 80s jungle thriller can successfully pivot to an interplanetary growing-up story and still chart at number one across digital storefronts, it sends a clear signal to studios that genre IP can stretch more than expected.
Analysts are already speculating about additional entries from Trachtenberg, given that he has now delivered three critically strong Predator projects in a row for Disney’s ecosystem.
The physical and collector side of the rollout also hints at long-term confidence. A 4K Ultra HD and Steelbook edition is set for release in mid-February, complete with deleted scenes, behind-the-scenes featurettes, and a full-length commentary track featuring Trachtenberg and key creatives.
That level of bonus content investment aligns more with prestige sci-fi releases than disposable franchise filler, suggesting the studio wants Badlands to have a longer shelf life among genre fans.
Looking ahead, the current PVOD surge gives Disney and 20th Century Studios leverage when planning the next phase. Strong digital numbers bolster internal arguments for continued theatrical outings instead of relegating future Predator stories to streaming exclusives.
At the same time, the eventual arrival of Badlands on Disney+ or Hulu will likely produce another spike in franchise interest, as casual viewers finally catch up and revisit older entries already in the library.
For now, Predator: Badlands sits in a sweet spot. It has the bragging rights of the franchise’s best box office, top-tier audience scores, and number one positions on multiple digital platforms, all while its eventual subscription debut still hangs just out of reach.
That combination of scarcity and success is exactly why the film feels so omnipresent across streaming conversation before it even appears inside most people’s regular subscription queues.
Nicolas Cage just put the finishing touches on his latest action project, Best Pancakes in the County, a high-stakes thriller that was shot entirely in central Arkansas without much advance fanfare.
Production kicked off quietly in late 2025 and wrapped in mid-January 2026, with crews taking over spots in Little Rock and nearby Roland for several weeks.
Local outlets caught wind of the activity through producer Eduard Osipov of Beno Films, who confirmed Cage’s presence alongside familiar faces like Justin Long and Shelley Hennig.
The story traps everyone in a small-town diner famed for its namesake pancakes, turning a routine night into a powder keg of betrayal and bullets.
Cage takes the lead as a slick con artist with skeletons in his closet, caught in a standoff with rogue federal agents and Hennig’s enigmatic waitress, who knows more than she lets on. That single-location setup screams efficient, propulsive tension, perfect for Cage’s brand of manic energy in confined chaos.
Arkansas stepped up as the backdrop thanks to solid tax incentives and reliable crews, marking the fifth Beno Films production there. Osipov highlighted how the state’s competitive credits draw filmmakers looking to keep budgets tight without skimping on quality.
Sightings of Cage grabbing meals at local joints added to the buzz, but the team kept details under wraps until wrap announcements surfaced. With principal shooting done, post-production now races toward a potential December 2026 or early 2027 theatrical window.
This fits Cage’s relentless pace. Fresh off the horror breakout Longlegs, which scared up nearly 130 million dollars worldwide, he juggles voice work in Spider-Man: Beyond the Spider-Verse and live-action turns in the upcoming biopic Madden and satirical drama The Prince.
Best Pancakes marks a return to straight action-thriller territory, echoing his 90s heyday in films like Face/Off, now a cult staple streaming on Netflix soon.
Pancakes And Payback: Why This Cast Clicks For Cage
Pairing Nicolas Cage with Justin Long and Shelley Hennig feels like a deliberate nod to genre crossovers, blending action roots with recent horror cred.
Long brings his wry everyman vibe from hits like Live Free or Die Hard and cult horrors Barbarian and Tusk, while Hennig channels her Teen Wolf legacy and scream queen turns in Unfriended and Ouija. Their diner trio faces off against shadowy agents, with loyalties shifting as secrets spill amid the syrup stacks.
Director Ken Sanzel, stepping up for his feature film helm, penned the script himself, drawing from his TV background on shows like 24 and The Shield.

Nicolas Cage (Credit: CNN)
His prior credits include action scripting on Kill Chain and early John Woo collaborator The Replacement Killers, signaling a knack for taut standoffs and moral gray areas. Sanzel’s vision locks the action into one explosive evening, forcing characters to improvise survival through wits and firepower.
Cage thrives in these pressure-cooker roles, channeling his trademark intensity into fast-talking survivors who bluff their way out of doom.
Think of his unhinged arms dealer in Lord of War or face-swapping fed in Face/Off, both Woo classics that redefined high-octane thrills. Recent misfires like Gunslingers and The Carpenter’s Son underscore why a quick-turnaround project like this one carries weight; it could recapture the magic of Longlegs’ box office heat.
Producers Beno Films and Caliwood Pictures bank on Arkansas efficiency to fast-track the edit, positioning Best Pancakes as holiday season counterprogramming. The diner’s everyday Americana setting amps the stakes, everyday folks versus elite operatives gone rogue, promising visceral, relatable thrills.
Cage’s Nonstop Roll Keeps Thrillers Coming Fast
Best Pancakes in the County slots into Cage’s jam-packed horizon, where he bounces between indies, blockbusters, and oddballs without missing a beat. The Lords of War sequel starts shooting soon in Belgium and Morocco, reuniting him with Bill Skarsgård for more arms-dealing intrigue under Andrew Niccol’s direction.
The Carpenter’s Son already hit theaters last fall, pitting him as a biblical carpenter against supernatural threats alongside Noah Jupe and FKA Twigs.
That output level keeps Cage relevant in a streaming-saturated market, where quick-to-market films like this diner thriller can grab attention before awards bait dominates.
Longlegs proved audiences still flock to his wild performances, grossing far beyond expectations despite a modest budget. A strong Pancakes follow-up could solidify his action comeback, especially with co-stars who bridge horror and mainstream appeal.
Fan chatter is already building on social platforms, with Arkansas locals sharing set photos and speculation about Cage’s character arc.
As the post heats up, expect first images or teaser footage by mid-year, teasing the pancake-fueled frenzy. For Sanzel, launching with Cage elevates his debut, potentially opening doors to bigger action gigs.
Cage shows no signs of slowing. His mix of franchise voices like Spider-Noir and original genre bets keeps the pipeline full, ensuring fans get fresh Cage chaos year-round. Best Pancakes arrives primed to deliver that rush, one syrupy showdown at a time.