Only weeks after its digital debut, James Gunn’s new Superman film steamrolled up Nielsen’s movie streaming charts, landing at the #2 spot for the week of September 22–28 and leaving a trail of successful releases in its wake.
While Netflix’s K-Pop Demon Hunters continues to hold the elusive top position after smashing viewing records, Superman surged ahead of high-profile competitors ranging from Pixar’s Elio and the horror sequel 28 Years Later to franchise titles like Lilo & Stitch. Never before has a DC superhero challenged Netflix’s dominance in these rankings so fiercely.
This streaming resurgence is crucial for Warner Bros. and HBO Max. The film, which required a staggering breakeven point of over $450 million with a final tally at roughly $615 million, had fallen short of some box office forecasts before its online release.
However, the shift to streaming radically expanded Superman’s reach, allowing millions of viewers who missed the theatrical run to finally engage with Gunn’s fresh vision of the Man of Steel.
As DC’s inaugural entry in its new cinematic universe, the movie’s streaming momentum suggests there’s renewed hope for the sequel Man of Tomorrow as well.
All indications point to streaming charts now being as influential as box office earnings, at least for tentpole superhero events. With HBO Max, the only non-Netflix service represented in recent Nielsen rankings, Superman’s success upends assumptions about where fans are choosing to watch big-screen blockbusters.
Last month saw the film hit 13 million streams in just ten days on HBO Max, further proof that audiences are shifting their attention post-release toward digital platforms.
Netflix’s Champion Tested: Will K-Pop Demon Hunters Hold the Top Spot?
Netflix’s global empire might be facing its biggest superhero-fueled challenge yet. While K-Pop Demon Hunters remains unmatched, notching a historic 300 million views to become the service’s most-watched film this year and spending 14 consecutive weeks at #1, Superman’s meteoric climb is now the biggest threat to its streaming reign.
What’s more, Netflix’s own blockbuster lineup this summer, including The Old Guard 2 and A House of Dynamite, has yet to replicate the momentum Gunn’s DC Universe film is showing on HBO Max.
The forces shaping this competition aren’t just studio budgets and IP power; it’s the fans themselves whose streaming choices are shaping box office futures.
While international action and animated films have dominated Netflix’s global rankings, Superman’s leap hints that superhero fatigue is far less pronounced on streaming compared to theatrical releases. DC fans have long been vocal about wanting immediate access to major releases online.
Superman (Credit: Netflix)
The chart data lends weight to the theory that direct-to-streaming premieres and short theatrical windows can reignite interest in even well-known franchises, a lesson now reverberating well beyond Hollywood.
Streaming isn’t just a battleground for studios’ fan bases, and online communities mobilize around these launches, generating viral buzz and sharing reactions across social platforms.
Gunn’s rebooted Superman gives viewers fresh performances (with Nicholas Hoult joining as Lex Luthor and new twists on classic relationships), ensuring online debates and rewatch culture keep numbers climbing long past opening weekends.
As the race for streaming supremacy intensifies, the next chart update may hinge on sequel announcements and cross-platform marketing moves.
The Next Wave: Business Strategies and Superhero Fandom Collide
Superman’s digital triumph could reshape how studios approach future blockbusters. With production costs soaring and theatrical windows shrinking, Warner Bros. is likely to double down on HBO Max exclusives.
Not only did Superman break through as HBO Max’s sole entry on the charts for weeks, but its staying power underscores enormous demand beyond the cinema, a paradigm shift for superhero tentpoles.
Netflix, meanwhile, has diversified with a sprawling catalog spanning every genre from romantic comedy to anime, but it’s the event movies and fandoms that drive persistent engagement and merchandise revenue.
The head-to-head competition prompted by Superman’s surge has already led to speculation about streaming-first strategies for future DC releases and aggressive bidding wars for exclusive rights to superhero IP.
Beyond the business shakeups, there’s a growing realization among fans that the new Superman marks a turning point in character storytelling and representation.
Gunn’s film retains the classic elements of hope and heroism while charting a more contemporary path through sharp writing and ensemble chemistry. As online communities dissect each new plot point and cast announcement, the battle for top streaming movie is as much about identity and voice as it is about algorithms.
Whether the next Superman outing outpaces its predecessor or Netflix unveils a new contender, recent streaming data suggests the superhero genre may have found fresh life and a brand-new battleground in the homes and devices of millions.
Studios and audiences alike are now watching the charts as closely as the movies themselves, knowing the next surprise hit could come from anywhere and disrupt expectations overnight.
It’s truly the end of an era for long-running anime, as Toei Animation has officially revealed a major shift in One Piece’s production format. After running continuously for over twenty-five years and spanning countless filler arcs, the legendary series is about to change course.
Starting in January, once the Egghead Island arc concludes, the anime will take a three-month hiatus until April, when the long-awaited Elbaph arc begins.
Under this new schedule, One Piece will now release two seasons each year, with a maximum of 26 episodes per season. According to Toei, this structure will allow the anime to “dive even deeper into the heart of the ONE PIECE world, incorporating more content, tempo, and pacing of the original manga.”
This means that there will be a bi-weekly episode moving forward, presumably on the weekend.
The studio also teased “exciting surprises” during the upcoming break, suggesting that fans can still expect plenty of One Piece content, including Netflix’s live-action Season 2, which is set to premiere during this gap.
One Piece Anime
This isn’t the first time One Piece has taken time off. The series previously went on a six-month hiatus from October 2024 to April 2025, allowing the production team to enhance animation quality and give the manga more breathing room.
The results spoke for themselves: sharper visuals, better pacing, and far less filler, all of which were widely praised by fans.
While a few recap episodes did appear this season, the advantages of this new production approach far outweigh the occasional slowdown. It also gives the manga, currently deep into the Elbaph arc, more time to stay ahead of the anime.
This new structure marks the end of the traditional anime broadcast model. One Piece now joins other major franchises in leaving behind the old format that kept shows airing nearly year-round, a system that often led to filler-heavy arcs and uneven animation quality in classics like Naruto, Bleach, and even One Piece itself.
Today, the industry has shifted toward seasonal releases, typically one or two per year, allowing studios to deliver higher-quality animation and stronger faithfulness to the original manga.
