The curtain has closed on the 46th Blue Dragon Film Awards, celebrating a year of cinematic achievement on November 19, 2025 (KST).

However, the focus of the event was unexpectedly drawn away from the winners and onto the skills of the master of ceremonies.

Actress Han Ji Min, who hosted the prestigious event for the second consecutive year, received overwhelmingly negative reviews, with a prominent Korean news outlet openly questioning her capabilities to smoothly guide one of the nation’s most important film ceremonies.

Stepping Into Big Shoes: The Post-Kim Hye Soo Era

Han Ji Min took on a role burdened by massive expectation, having succeeded the legendary actress Kim Hye Soo following the 44th ceremony in 2023.

Kim Hye Soo had been the established “face of Blue Dragon” for three decades, setting an incredibly high bar for any successor. Han Ji Min began her tenure with the 45th ceremony in 2024.

This year, the 46th ceremony marked her second attempt to fill those significant shoes, yet according to the report from THE FACT, her performance fell short of stabilizing the event.

The Pressure of the Platform: Han Ji Min’s Hosting Critiqued at Blue Dragon Awards - 1

Han Ji Min (Credit: YouTube)

The Scathing Review of THE FACT

The Korean news outlet THE FACT delivered a particularly harsh critique, stating that despite a full year of preparation, the actress’s “improvement was minimal.”

The review acknowledged that she appeared slightly more composed and made fewer obvious mistakes than the previous year, but ultimately, she failed to overcome the visible tension and pressure of the role.

This internal discomfort reportedly translated into a disjointed and unengaging delivery for the audience.

Technical Flaws and Lack of Chemistry

The criticism was not limited to her composure but targeted the technical aspects of her performance.

THE FACT pointed out that her delivery was characterized by a “stiff, almost textbook-like tone,” indicating a lack of personal ownership and connection to the script.

Compounding this issue were instances of “occasional mispronunciations and incomplete sentence endings,” which significantly diminished the overall clarity of her presentation.

Furthermore, her hosting partner, co-host Lee Je Hoon, attempted to inject some levity with lighthearted ad-libs, but Han Ji Min “struggled to respond naturally,” resulting in a noticeable absence of the necessary on-screen chemistry or charm that anchors live broadcasts.

Uncertain Future for the Host

Despite the overwhelmingly negative public opinion surrounding her performance, the review offered a glimmer of hope, suggesting that Han Ji Min retains the potential to become a worthy successor to Kim Hye Soo, provided her “skills stabilize.”

The outlet implied that the actress possesses the foundational elements but currently lacks the polished execution and spontaneity required for a ceremony of this magnitude.

As the film industry and fans digest the strong criticism, all attention is now directed toward the organizers.

The key question remains: will Han Ji Min be invited back to host the 47th Blue Dragon Film Awards next year, or will the negative reception necessitate a change in leadership for the prestigious event?

The multifaceted K-Pop girl group tripleS is gearing up for a major return, this time focusing on the activities of their dynamic subunit, tripleS-msnz.

Heightening anticipation across the fandom, the subunit has officially released the first teaser for their upcoming track, signaling the imminent arrival of their new album.

This comeback is set to showcase the unique identities of the four units that comprise tripleS-msnz: moon, sun, neptune, and zenith.

Introducing the Moon Unit’s “Cameo Love”

The latest excitement stems from the release of a teaser for the track “Cameo Love.” This song belongs to the moon unit, one of the four distinct sections within the tripleS-msnz subunit.

The teaser dropped on November 20, giving fans a glimpse into the sound and concept that the moon unit will present.

The highly anticipated track, “Cameo Love,” is scheduled to be officially unveiled to the public on November 24 at 6 PM KST, marking a significant milestone in the subunit’s promotional cycle and driving fan engagement in the lead-up to the album release.

The Full Unit Album: ‘Beyond Beauty’

The release of “Cameo Love” is part of a larger, full-subunit comeback. tripleS-msnz will release their new album, titled ‘Beyond Beauty,’ simultaneously with the song on November 24 at 6 PM KST.

This album signifies the official start of their promotions and is expected to offer a cohesive collection of tracks that explore the diverse styles and musical colors of the entire unit.

Given the group’s unique system of rotating subunits and members, a full album release from a major subunit like tripleS-msnz is always a highly anticipated event for MOAs (their fandom).

Distinctive Concepts and Impressive Visuals

Leading up to the teaser and album announcement, the group strategically built anticipation through a series of striking concept photos.

The article notes that these photos were unveiled across all four component units—moon, sun, neptune, and zenith—allowing each member to showcase a distinctive and unique style.

The successful execution of these concept visuals has further raised fan expectations, suggesting that the ‘Beyond Beauty’ album will be rich in aesthetic variety and impressive artistic direction.

This promotional tactic effectively leveraged the individual charm and visual impact of each member within the composite unit.

Unpacking the TripleS Model

The success of subunits like tripleS-msnz underscores the innovative and fan-driven model of the tripleS project.

By segmenting the main group into smaller, highly focused units, the management is able to constantly deliver fresh content and varied musical concepts.

The enthusiasm generated by the “Cameo Love” teaser and the full album release highlights the efficacy of this system.

As tripleS-msnz steps into the spotlight with ‘Beyond Beauty’, fans are not just looking forward to the music but to the continued evolution of a group that constantly reinvents its lineup and sound.

The comeback is poised to be a major event, further solidifying the group’s standing as a concept leader in the competitive K-Pop landscape.