In 1946, boxing history may have been made during a fight. It was a featherweight match between Guglielmo Papaleo, known as Willie Pep, and Jackie Graves. The fight lasted for 8 out of the 10 rounds and ended with Willie Pep winning by TKO.
However, the most talked-about moment happened in the 3rd round. According to boxing stories, Willie Pep won the third round without throwing a single punch. Pep claimed this throughout his life. Coverage of the fight varied in its truthfulness, with modern analysts saying it was probably not true.
Newspaper reports at the time also disagreed on simple facts, like knockdowns, so we will never know for sure. However, the lasting fame of the claim comes from one fact: Willie Pep was a true legend known for his amazing defense and fantastic footwork. In a way, Robert Kolodny’s book The Featherweight is about the Willie Pep after his famous fights.
What is The Featherweight About?
The story is set in 1964 and follows an older, broke Willie Pep, played by James Madio, as a camera crew follows him around. He prepares for another fight at the end of his long career, hoping to have the support of his longtime trainer Bill Gore, played by Stephen Lang.
The days of Pep winning fights are far behind him, and he faces serious financial problems. He lives with his young wife Linda, played by Ruby Wolf, who wants to be an actress, but her dreams faded when they left New York. They also live with his resentful son Billy Jr., played by Kier Gilchrist, who uses drugs.
Pep feels economic pressure, nostalgia for better days, disappointment in his future, and boredom, which makes him decide to fight again even though he is not as lively as he used to be.
This approach to a historical biopic is different because following a historical figure with a camera crew is more common today, but it makes sense in the story and adds a closer connection to Pep, along with the tension of the camera crew always being there.
The End of an Era Affects Willie Pep in The Featherweight
The Featherweight is a new take on the life of one of the best defensive boxers ever. It focuses more on the man than on his fights in a time when his great achievements are behind him. For comparison, Manny Pacquiao, who recently retired, is one of the greatest boxers in history.
Pacquiao had 62 wins out of 72 fights in eight different weight classes from his debut in 1995 to his retirement in 2021 at age 42. He is among the best boxers ever. Willie Pep fought in an earlier time and won 229 out of 241 fights with only 11 losses and 1 draw.
He is the only boxer in history to have two unbeaten streaks of over 60 fights. His career is incredible, and director Robert Kolodny bravely chooses to show the later years of Pep’s life instead of focusing on his many victories.
This story has both positive and negative aspects. On the positive side, James Madio plays Pep very well, showing his longing for the past with a strong feeling that he is falling apart. Ruby Wolf makes her film debut as Linda, bringing energy to her role.
She struggles with Pep’s careless attitude towards her acting dreams and with Billy Jr., who feels replaced by her. There is a lot of family drama as Pep’s frustrations and fading opportunities clash with Linda’s hopes for the future. Showing Pep’s decline adds drama, made stronger by the camera crew interrupting sensitive family moments.
On the negative side, it can be frustrating to follow a boxing legend with so many famous moments in his long career while seeing so few of those moments in the film. One might wish for a surprise biopic that covers Pep’s earlier life.
It would be similar to writing a biography of Paul McCartney that mainly talks about the studio sessions of Back to the Egg while ignoring his famous career. If you’re asking, “What is Back to the Egg, Jeff?” that is the point: it is noticeable that the extraordinary moments are missing. Having more highlights would ground the audience’s understanding of Pep’s decline, which we see but without full context.
Despite these issues, The Featherweight is still a strong film thanks to great performances and a well-written script. James Madio shows Pep as a man worn down by time, while Ruby Wolf’s Linda represents youthful dreams against his practical desires.
Steve Loff’s script captures this tension and other complex feelings, while Adam Kolodny’s cinematography adds a close look at Pep’s life. The camera is always present, showing Pep’s frustrations and Linda’s desire to be in front of the camera. This builds into a solid look at a once-great fighter’s life in decline.
A Powerful Look at a Man Who Was Once a Champion
The film style used in The Featherweight comes from the idea of filming as if it is a documentary. This style has grown from being rare to being a common part of film and TV today. It aims to create a feeling of realism when a camera crew is present in “real” situations.
Still from The Featherweight (Credit: Tuckman Media)
This style has been used in many different films and TV shows. In Robert and Adam Kolodny’s hands, The Featherweight uses this technique effectively to show intimate moments and makes the crew feel like part of the story when it helps the drama.
The film feels authentic because of many small details, which makes the emotional connection with Pep stronger. It would have been better to include more of Pep’s good times for a fuller scheme of the athlete, but thanks to a well-written story and excellent acting, it is still a great biographical look at the decline of a featherweight champion.
You can stop wearing your clown make-up when the credits roll for Joker: Folie à Deux, as the sequel to Todd Phillips’ highly praised DC comics adaptation does not have an end-credits scene.
This allows viewers to take in the surprising events of the film’s ending, which is sure to spark conversations in the movie community.
It is not surprising that Joker: Folie à Deux does not include an end-credits scene, even though it is a comic book movie.
The previous film also did not have one, and Todd Phillips and DC Studios have stated that the Joker films are meant to be complete stories, not parts of an ongoing series.
We will have to see if James Gunn and Peter Safran’s new connected DC Universe will include end-credits scenes, starting with Creature Commandos and Superman, which are unrelated to the two Joker films.
The two Joker films mark the end of the previous phase of DC, which faced creative struggles following the challenges of the DCEU.
This situation led DC to show projects in entirely new continuities, as seen in the two Joker films by Todd Phillips and the ongoing The Batman series by Matt Reeves.
Now, Gunn and Safran are attempting to create a shared cinematic universe with DC’s vast list of characters, while projects like Joker, The Batman, and The Penguin are considered “Elseworlds” stories.
What is ‘Joker: Folie à Deux’ About?
Joker: Folie à Deux is set two years after the first film. Arthur Fleck (played by Joaquin Phoenix) is now an inmate at Arkham Asylum as he waits for his trial, where he will face judgment for his actions in the first film.
Arthur’s life changes significantly when he meets another patient named Harleen Quinzel (played by Lady Gaga). She encourages Arthur to embrace his role as Gotham’s beloved vigilante and the Clown Prince of Crime.
Will ‘Joker: Folie à Deux’ Get a Sequel?
Without giving away spoilers, there will be a lot of conversations about how Joker: Folie à Deux ends. Some might view it as a final ending for Arthur Fleck, while others might argue that this is not the last time we will see this version of The Joker. So, will there be a Joker 3? If it does happen, Todd Phillips may not be involved.
Phillips has said many times that he does not plan to make a third Joker film right now. After the premiere of Joker: Folie à Deux at the Venice Film Festival, Phillips explained that he believes Arthur’s story is finished.
However, he hinted that it could still continue: “I don’t want to speak for Joaquin, but for me, the story of Arthur/Joker has been told. I can’t say yes or no, but it’s not necessarily my goal to stay in this space.”
At the LA premiere for Joker: Folie à Deux, Todd Phillips indicated that this second Joker film is his last project related to DC.
When asked about plans for a spin-off film featuring Harley Quinn, Phillips denied any such plans and mentioned that he feels his work in the DC Universe is done with the two Joker films.
It is important to note that Todd Phillips has changed his mind about continuing Arthur’s story before. Initially, he did not want to make another Joker film after the first one, viewing it as a standalone project.
However, due to its unprecedented box office success and positive fan reactions, Joker: Folie à Deux was eventually created.
Given this, it is quite possible a sequel to Joker: Folie à Deux could happen if its box office results are even somewhat similar to those of its predecessor.
