The inaugural MUSIC AWARDS JAPAN 2025, one of the largest international music awards in Japan, announced the best works and artists across 62 categories during the Premiere Ceremony on May 21 and the Grand Ceremony on May 22 at Rohm Theatre Kyoto.

Established this year by five major Japanese music industry organizations, the awards aim to promote Japanese and other Asian music globally, elevate Japanese music as a cultural pride, and encourage international artists to enter the Japanese market.

Among the standout winners was the two-member unit YOASOBI, whose third single, “Idol,” featured as the opening theme for the anime Oshi no Ko .

The song garnered multiple accolades, including Best Anime Song, Top Global Hit from Japan, and Best Music Video. Additionally, the unit’s composer Ayase received the Song of the Year for Creators powered by JASRAC award for crafting “Idol.”

YOASOBI’s official X (formerly Twitter) account expressed gratitude, stating, “Along with the work ‘Oshi no Ko,’ ‘Idol’ has shown YOASOBI many different views. And we are happy that the song is still receiving new wonderful awards like this. Thank you very much for your constant support.”

YOASOBI’s ‘Idol’ Shines at Inaugural MUSIC AWARDS JAPAN 2025 - 1

YOASOBI’s ‘Idol’

MUSIC AWARDS JAPAN 2025 Winners List:

  • Song of the Year : “Bling-Bang-Bang-Born” by Creepy Nuts
  • Artist of the Year : Mrs. GREEN APPLE
  • New Artist of the Year : tuki.
  • Album of the Year : “LOVE ALL SERVE ALL” by Kaze Fujii
  • Top Global Hit from Japan : “Idol” by YOASOBI
  • Best Song Asia : “Supernova” by aespa
  • Best Japanese Song : “Bling-Bang-Bang-Born” by Creepy Nuts
  • Best J-rock Song : “SPECIALZ” by King Gnu
  • Best Japanese Hip Hop/Rap Song : “Bling-Bang-Bang-Born” by Creepy Nuts
  • Best Japanese R&B/Contemporary Song : “Automatic” by Hikaru Utada
  • Best Japanese Dance Pop Song : “Bling-Bang-Bang-Born” by Creepy Nuts
  • Best Japanese Alternative Song : “more than words” by Hitsujibungaku
  • Best Japanese Singer-songwriter Song : “Kaiju no Hanauta” by Vaundy
  • Best Idol Culture Song : “Watashi no Ichiban Kawaii Tokoro” by FRUITS ZIPPER
  • Best Anime Song : “Idol” by YOASOBI
  • Best Enka/Kayokyoku : “Kurenai no Chou” by Keisuke Yamauchi
  • Best Revival Hit Song : “Peppermint Blue” by Eiichi Ohtaki
  • Best Cross-Border Collaboration Song : “Feelin’ Go(o)d” by Kaze Fujii / A. G. Cook
  • Best Instrumental Song : “aruarian dance” by Nujabes
  • Best Vocaloid Culture Song : “Senbonzakura” by Kurousa-P
  • Best Music Video : “Idol” by YOASOBI
  • Best Dance Performance : “Otona Blue” by ATARASHII GAKKO!
  • Best Viral Song : “Bling-Bang-Bang-Born” by Creepy Nuts
  • Top Japanese Song in Asia : “Lemon” by Kenshi Yonezu
  • Top Japanese Song in Europe : “Bling-Bang-Bang-Born” by Creepy Nuts
  • Top Japanese Song in North America : “Bling-Bang-Bang-Born” by Creepy Nuts
  • Top Japanese Song in Latin America : “Bling-Bang-Bang-Born” by Creepy Nuts
  • Best of Listeners’ Choice: Japanese Song powered by Spotify : “GOAT” by Number_i
  • Special Award: Korean Popular Music : “God of Music” by SEVENTEEN
  • Special Award: Chinese Popular Music : “少管我” by Zhou Shen
  • Special Award: Thai Popular Music : “ซ่อน(ไม่)หา (Ghost)” by Jeff Satur
  • Special Award: Indonesian Popular Music : “Bunga Hati” by Salma Salsabil
  • Special Award: Vietnamese Popular Music : “Tái Sinh” by Tùng Dương
  • Special Award: Philippine Popular Music : “Raining in Manila” by Lola Amour
  • Best International Pop Song in Japan : “APT.” by ROSÉ & Bruno Mars
  • Best International Rock Song : “feelslikeimfallinginlove” by Coldplay
  • Best International Hip Hop/Rap Song in Japan : “Not Like Us” by Kendrick Lamar
  • Best International R&B/Contemporary Song in Japan : “we can’t be friends (wait for your love)” by Ariana Grande
  • Best International Alternative Song in Japan : “BIRDS OF A FEATHER” by Billie Eilish
  • Best K-pop Song in Japan : “Ditto” by NewJeans
  • Best of Listeners’ Choice: International Song powered by Spotify : “Neva Play (feat. RM of BTS)” by Megan Thee Stallion
  • Best Jazz Album : “Step Into Paradise -LIVE IN TOKYO-” by Akiko Yano, Hiromi
  • Best Classical Album : “Opus” by Ryuichi Sakamoto
  • Best Japanese Song Artist : Mrs. GREEN APPLE
  • Best J-Rock Artist : King Gnu
  • Best Japanese Hip Hop/Rap Artist : Creepy Nuts
  • Best Japanese R&B/Contemporary Artist : Hikaru Utada
  • Best Japanese Dance Pop Artist : ATARASHII GAKKO!
  • Best Japanese Alternative Artist : Hitsujibungaku
  • Best Japanese Singer-Songwriter : Kaze Fujii
  • Best Idol Artist/Group : Snow Man
  • MAJ Timeless Echo : Eikichi Yazawa
  • Karaoke of the Year: J-Pop powered by DAM & JOYSOUND : “Lilac” by Mrs. GREEN APPLE
  • Karaoke of the Year: Enka/Kayokyoku powered by DAM & JOYSOUND : “Showa Katagi” by Yoshimi Tendo
  • Oshi-katsu Request: Artist of the Year : Number_i
  • Song of the Year for Creators presented by JASRAC : Ayase for “Idol” by YOASOBI
  • Largest Live Audience : WEST.
  • Honorary Award in Music Technology : Association of Musical Electronics Industry
  • Best Radio-Break Song : “Love is more Mellow” by RIKON
  • Best Dance/Electronic Song in association with JDDA : “Edison” by WEDNESDAY CAMPANELLA
  • Best DJ in association with JDDA : DJ Nobu
  • Grand Prix Engineer in association with PMRAJ : Eiji Uchimura, Katsutoshi Kitamura

The MUSIC AWARDS JAPAN 2025 not only celebrated the achievements of established artists but also highlighted emerging talents, fostering a diverse and vibrant music scene that resonates both domestically and internationally.

The official website for Uta no Prince-sama The Movie: TABOO NIGHT XXXX has unveiled a brand-new director’s cut trailer, offering fans an extended look into the film’s vibrant musical showcase.

Spanning five and a half minutes, the trailer is a carefully curated collection of scenes handpicked by director Akiko Seki. This exclusive clip provides a comprehensive spotlight on all 11 songs featured in the movie, including two encore performances, each delivered by the powerhouse idol group QUARTET NIGHT.

The setlist begins with “Jewelful XXXX,” a multi-part track performed by Reiji Kotobuki, Ranmaru Kurosaki, Ai Mikaze, and Camus. The performance is broken into segments titled “Seize me if you can,” “Force & Faith,” “Wandering in a maze,” and “Do you know who I’m,” each contributing to the dramatic and stylistic flair that fans have come to expect from the franchise.

Solo tracks such as Camus’s “Ice Pierrot,” Reiji’s “Zero,” Ranmaru’s “Black Panther,” and Ai’s intriguingly titled “Am I a fairy or…?” further showcase each character’s unique musical personality. Duets like “The RUN to the RAY” by Reiji and Ranmaru and “God Love Keihou Hatsurei” by Ai and Camus add depth and diversity to the lineup.

Closing out the musical journey are the group performances by QUARTET NIGHT, including “TABOO NIGHT XXXX,” “JINN-Ω-RAY,” “Heαrt Knight,” and the iconic “God’s S.T.A.R.” Each song not only reflects the members’ musical evolution but also highlights their chemistry and stage charisma.

YOASOBI’s ‘Idol’ Shines at Inaugural MUSIC AWARDS JAPAN 2025 - 2

Uta no Prince-sama – TABOO NIGHT XXXX

QUARTET NIGHT has been a central part of the Uta no Prince-sama universe since their introduction in the anime’s second season, Maji Love 2000%, which aired in 2013. They serve as the senior idol group to the main unit ST☆RISH, bringing a more mature and refined energy to the series’ musical ensemble.

This film represents the third major concert production in the franchise’s cinematic history, following Uta no Prince-sama The Movie: Maji LOVE Kingdom in 2019 and Uta no Prince-sama The Movie: Maji LOVE ST☆RISH TOUR in 2022.

TABOO NIGHT XXXX opened in 135 theaters across Japan on May 9, 2025, making a strong debut by ranking fourth at the box office during its opening weekend. It maintained its momentum into the second weekend, where it ranked sixth.

For longtime fans and newcomers alike, the director’s cut trailer serves as both a tribute and an invitation—an enticing glimpse into the high-energy, emotionally charged world of QUARTET NIGHT and a celebration of their enduring impact on the Uta no Prince-sama franchise.